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Evokation
  
 
Index
  

 

 

NUCLEAR FAMILY 19769

 

 

 

 

 

 

 

 

THE

MAGICALALPHABET

 

..................

 

 

-
-
-
-
-
THE RAINBOW LIGHT
-
-
-
T
=
2
-
3
THE
33
15
6
R
=
9
-
7
RAINBOW
82
37
1
L
=
3
-
5
LIGHT
56
29
2
-
-
14
-
15
THE RAINBOW LIGHT
171
81
9
-
-
1+4
-
1+5
-
1+7+1
8+1
-
Q
-
5
-
6
THE RAINBOW LIGHT
9
9
9

 

 

 

 

 

 

 

THIS IS THE SCENE OF THE SCENE UNSEEN

THE UNSEEN SEEN OF THE SCENE UNSEEN THIS IS THE SCENE

 

 

3
THE
33
15
6
4
MIND
40
22
4
2
OF
21
12
3
9
HUMANKIND
95
41
5
18
First Total
189
90
18
1+8
Add to Reduce
1+8+9
9+0
1+8
9
Second Total
18
9
9
-
Reduce to Deduce
1+8
-
-
9
Essence of Number
9
9
9

 

 

THE DIVINE COMEDY

OF

DANTE ALIGHIERI (1265-1321)

THE FLORENTINE

CANTICA I

HELL

(L'INFERNO)

INTRODUCTION

Page 9

"Midway this way of life we're bound upon

I woke to find myself in a dark wood,

Where the right road was wholly lost and gone."

 

 

M
=
4
-
6
MIDWAY
75
30
3
T
=
2
-
4
THIS
56
20
2
W
=
5
-
3
WAY
49
13
4
O
=
6
-
2
OF
21
12
3
L
=
3
-
4
LIFE
32
23
5
W
=
5
-
4
WE'RE
51
24
6
B
=
2
-
5
BOUND
56
20
2
U
=
3
-
4
UPON
66
21
3
-
-
30
-
32
-
406
163
28
-
-
-
-
-
-
-
-
-
I
=
9
-
1
I
9
9
9
W
=
5
-
4
WOKE
54
18
9
T
=
2
-
2
TO
35
8
8
F
=
6
-
4
FIND
33
24
6
M
=
4
-
6
MYSELF
80
26
8
I
=
9
-
2
IN
23
14
5
A
=
1
-
1
A
1
1
1
D
=
4
-
4
DARK
34
16
7
W
=
5
-
4
WOOD
57
21
3
-
-
45
-
28
-
326
137
56
-
-
-
-
-
-
-
-
-
W
=
5
-
5
WHERE
59
32
5
T
=
2
-
3
THE
33
15
6
R
=
9
-
5
RIGHT
62
35
8
R
=
9
-
4
ROAD
38
20
2
W
=
5
-
3
WAS
43
7
7
W
=
5
-
6
WHOLLY
95
32
5
L
=
3
-
4
LOST
66
12
3
A
=
1
-
3
AND
19
10
1
G
=
7
-
4
GONE
41
23
5
-
-
46
-
37
-
456
186
42
-
-
-
-
-
-
-
-
-
-
-
121
-
97
First Total
1188
486
126
-
-
1+2+1
-
9+7
Add to Reduce
1+1+8+8
4+8+6
1+2+6
Q
-
4
-
16
Second Total
18
18
9
-
-
-
-
1+6
Reduce to Deduce
1+8
1+8
-
-
-
4
-
7
Essence of Number
9
9
9

 

 

THE DIVINE COMEDY

OF

DANTE ALIGHIERI (1265-1321)

THE FLORENTINE

CANTICA I

HELL

(L'INFERNO)

INTRODUCTION

Page 9

"Power failed high fantasy here; yet, swift to move

Even as a wheel moves equal, free from jars,

Already my heart and will were wheeled by love,

The Love that moves the sun and other stars."

 

P
=
7
-
5
POWER
77
32
5
F
=
6
-
6
FAILED
37
28
1
H
=
8
-
4
HIGH
32
32
5
F
=
6
-
7
FANTASY
86
23
5
H
=
8
-
4
HERE
36
27
9
Y
=
7
-
3
YET
50
14
5
S
=
1
-
5
SWIFT
77
23
5
T
=
2
-
2
TO
35
8
8
M
=
4
-
4
MOVE
55
19
1
-
-
49
-
40
First Total
485
206
44
-
-
4+9
-
4+0
Add to Reduce
4+8+5
2+0+6
4+4
Q
-
13
-
4
Second Total
17
8
8
-
-
1+3
-
-
Reduce to Deduce
1+7
-
-
-
-
4
-
4
Essence of Number
8
8
8

 

 

E
=
5
-
4
EVEN
46
19
1
A
=
1
-
2
AS
20
2
2
A
=
1
-
1
A
1
1
1
W
=
5
-
5
WHEEL
53
26
8
M
=
4
-
5
MOVES
74
20
2
E
=
5
-
5
EQUAL
56
20
2
F
=
6
-
4
FREE
34
25
7
F
=
6
-
4
FROM
52
25
7
J
=
1
-
4
JARS
48
12
3
-
-
34
-
34
First Total
384
150
33
-
-
3+4
-
3+4
Add to Reduce
3+8+4
1+5+0
3+3
Q
-
7
-
7
Second Total
15
6
6
-
-
-
-
-
Reduce to Deduce
1+5
-
-
-
-
7
-
7
Essence of Number
6
6
6

 

 

A
=
1
-
7
ALREADY
66
30
3
M
=
4
-
2
MY
38
11
2
H
=
8
-
5
HEART
52
25
7
A
=
1
-
3
AND
19
10
1
W
=
5
-
4
WILL
56
20
2
W
=
5
-
4
WERE
51
24
7
W
=
5
-
7
WHEELED
62
35
8
B
=
2
-
2
BY
27
9
9
L
=
3
-
4
LOVE
54
18
9
-
-
34
-
38
First Total
425
182
47
-
-
3+4
-
3+8
Add to Reduce
4+2+5
1+8+2
4+7
Q
-
7
-
11
Second Total
11
11
11
-
-
-
-
1+1
Reduce to Deduce
1+1
1+1
1+1
-
-
7
-
2
Essence of Number
2
2
2

 

 

T
=
2
-
3
THE
33
15
6
L
=
3
-
4
LOVE
54
18
9
T
=
2
-
4
THAT
49
13
4
M
=
4
-
5
MOVES
74
20
2
T
=
2
-
3
THE
33
15
6
S
=
1
-
3
SUN
54
9
9
A
=
1
-
3
AND
19
10
1
O
=
6
-
5
OTHER
66
30
3
S
=
1
-
5
STARS
77
14
5
-
-
22
-
35
First Total
459
144
45
-
-
2+2
-
3+5
Add to Reduce
4+5+9
1+4+4
4+5
Q
-
4
-
8
Second Total
18
9
9
-
-
-
-
-
Reduce to Deduce
1+8
-
-
-
-
4
-
8
Essence of Number
9
9
9

 

 

3
THE
33
15
6
4
HOLY
60
24
6
7
MESSAGE
-
-
-
2
M+E
18
9
9
1
S
19
10
1
3
S+A+G
27
18
9
1
E
5
5
5
7
MESSAGE
69
42
24
14
Add
162
81
36
1+4
Reduce
1+6+2
8+1
3+6
5
Deduce
9
9
9

 

 

THE

FAR YONDER SCRIBE

AND OFT TIMES SHADOWED SUBSTANCES WATCHED IN FINE AMAZE

THE

ZED ALIZ ZED

IN SWIFT REPEAT SCATTER STAR DUST AMONGST THE LETTERS OF THEIR PROGRESS

AT THE THROW OF THE NINTH NUMBER WHEN IN CONJUNCTION SET

THE

FAR YONDER SCRIBE

MADE RECORD OF THEIR FALL

 

 

-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
A
=
1
-
5
ADDED
18
18
9
-
-
-
-
-
-
-
-
-
9
T
=
2
-
2
TO
35
8
8
-
-
-
-
-
-
-
-
8
-
A
=
1
-
3
ALL
25
7
7
-
-
-
-
-
-
-
7
-
-
M
=
4
-
5
MINUS
76
22
4
-
-
-
-
4
-
-
-
-
-
N
=
5
-
4
NONE
48
21
3
-
-
-
3
-
-
-
-
-
-
S
=
1
-
6
SHARED
55
28
1
-
1
-
-
-
-
-
-
-
-
B
=
2
-
2
BY
27
9
9
-
-
-
-
-
-
-
-
-
9
E
=
5
-
10
EVERYTHING
133
61
7
-
-
-
-
-
-
-
7
-
-
M
=
4
-
10
MULTIPLED
121
49
4
-
-
-
-
4
-
-
-
-
-
I
=
9
-
2
IN
23
14
5
-
-
-
-
-
5
-
-
-
-
A
=
1
-
9
ABUNDANCE
65
29
2
-
-
2
-
-
-
-
-
-
-
-
-
35
-
58
First Total
626
266
59
-
1
2
3
8
5
6
14
8
18
-
-
3+5
-
5+8
Add to Reduce
6+2+6
2+6+6
5+9
-
-
-
-
-
-
-
1+4
-
1+8
-
-
8
-
13
Second Total
14
14
10
-
1
2
3
8
5
6
5
8
9
-
-
-
-
1+3
Reduce to Deduce
1+4
1+4
1+0
-
-
-
-
-
-
-
-
-
-
-
-
8
-
4
Essence of Number
5
5
5
-
1
2
3
8
5
6
5
8
9

 

 

26
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
8
9
-
-
-
-
5
6
-
-
-
1
-
-
-
-
6
-
8
+
=
43
4+3
=
7
=
7
=
7
-
-
-
-
-
-
-
-
8
9
-
-
-
-
14
15
-
-
-
19
-
-
-
-
24
-
26
+
=
115
1+1+5
=
7
=
7
=
7
26
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
-
-
1
2
3
4
-
-
7
8
9
-
2
3
4
5
-
7
-
+
=
83
8+3
=
11
1+1
2
=
2
-
1
2
3
4
5
6
7
-
-
10
11
12
13
-
-
16
17
18
-
20
21
22
23
-
25
-
+
=
236
2+3+6
=
11
1+1
2
=
2
26
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
+
=
351
3+5+1
=
9
=
9
=
9
-
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
+
=
126
1+2+6
=
9
=
9
=
9
26
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
-
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
+
=
1
occurs
x
3
=
3
=
3
-
-
2
-
-
-
-
-
-
-
-
2
-
-
-
-
-
-
-
-
2
-
-
-
-
-
-
+
=
2
occurs
x
3
=
6
=
6
-
-
-
3
-
-
-
-
-
-
-
-
3
-
-
-
-
-
-
-
-
3
-
-
-
-
-
+
=
3
occurs
x
3
=
9
=
9
-
-
-
-
4
-
-
-
-
-
-
-
-
4
-
-
-
-
-
-
-
-
4
-
-
-
-
+
=
4
occurs
x
3
=
12
1+2
3
-
-
-
-
-
5
-
-
-
-
-
-
-
-
5
-
-
-
-
-
-
-
-
5
-
-
-
+
=
5
occurs
x
3
=
15
1+5
6
-
-
-
-
-
-
6
-
-
-
-
-
-
-
-
6
-
-
-
-
-
-
-
-
6
-
-
+
=
6
occurs
x
3
=
18
1+8
9
-
-
-
-
-
-
-
7
-
-
-
-
-
-
-
-
7
-
-
-
-
-
-
-
-
7
-
+
=
7
occurs
x
3
=
21
2+1
3
-
-
-
-
-
-
-
-
8
-
-
-
-
-
-
-
-
8
-
-
-
-
-
-
-
-
8
+
=
8
occurs
x
3
=
24
2+4
6
-
-
-
-
-
-
-
-
-
9
-
-
-
-
-
-
-
-
9
-
-
-
-
-
-
-
-
+
=
9
occurs
x
2
=
18
1+8
9
26
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
45
-
-
26
-
126
-
54
-
-
-
-
-
-
-
-
-
9
-
-
-
-
-
-
-
-
9
-
-
-
-
-
-
-
-
-
-
4+5
-
-
2+6
-
1+2+6
-
5+4
26
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
9
-
-
8
-
9
-
9
-
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
-
-
-
-
-
-
-
-
-
-
26
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
9
-
-
8
-
9
-
9

 

 

1
-
O
=
6
-
3
ONE
34
16
7
2
-
T
=
2
-
3
TWO
58
13
4
3
-
T
=
2
-
5
THREE
56
29
2
4
-
F
=
6
-
4
FOUR
60
24
6
5
-
F
=
6
-
4
FIVE
42
24
6
6
-
S
=
1
-
3
SIX
52
16
7
7
-
S
=
1
-
5
SEVEN
65
20
2
8
-
E
=
5
-
5
EIGHT
49
31
4
9
-
N
=
5
-
4
NINE
42
24
6
45
-
-
-
34
-
36
Add
458
197
44
4+5
-
-
-
3+4
-
3+6
Reduce
4+5+8
1+9+7
4+4
9
-
-
-
7
4
9
Deduce
17
17
8
-
-
-
-
-
-
-
Produce
1+7
1+7
-
9
-
-
-
7
-
9
Essence
8
8
8

 

 

0
-
Z
=
8
-
4
ZERO
64
28
1
1
-
O
=
6
-
3
ONE
34
16
7
2
-
T
=
2
-
3
TWO
58
13
4
3
-
T
=
2
-
5
THREE
56
29
2
4
-
F
=
6
-
4
FOUR
60
24
6
5
-
F
=
6
-
4
FIVE
42
24
6
6
-
S
=
1
-
3
SIX
52
16
7
7
-
S
=
1
-
5
SEVEN
65
20
2
8
-
E
=
5
-
5
EIGHT
49
31
4
9
-
N
=
5
-
4
NINE
42
24
6
45
-
-
-
42
-
40
Add
522
225
45
4+5
-
-
-
4+2
-
4+0
Reduce
5+2+2
2+2+5
4+5
9
-
-
-
6
-
4
Deduce
9
9
9

 

 

A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

 

I

SAY

GODS I ME I GODS

REAL REALITY REVEALED REALITY REAL

AND WOULD IT HAVE BEEN WORTH IT AFTER ALL, WHEN ALL IS SAID AND DONE, TO DENY A GOD INSPIRED MAGICIAN. THE SCATTERING OF BLESSED STAR STARRY STARDUST UPON AND AROUND THE MINDS I MINDS EYE. I ASK YOU, O DEAR GOOD AND TRUSTED FRIENDS, TO ACCEPT THESE EXALTED NAMES AS GODS HOLY ACCOLADES, ACCORDED OF GODS CREATORS. AND I HUMBLY REQUEST YOU TO PLEASE ALLOW ME, WITH KINDLY GOOD GRACE, AND AN UNDERSTANDING CREATIVE VISION. THE ODD LIGHT TOUCHES OF FAIRY STAR DUST. SUCH WORDS OF POWER AS ARE IMPORTANT TO THE GREAT WORK, AND DAVID IS OBLIGATED TO THE SYMBOLICAL MARKING OF THESE MAGICALLLY ESOTERIC, AND MYSTERIOUS WORDS OF POWER MANIFESTING FORTH FROM OUT THE IN OF ETERNAL MIND. MIRACULOUSLY BIRTHED OF THE GREAT COSMIC MOTHER. THE BE ALL AND END ALL OF EVERYTHING. THE HE AS IN SHE THAT IS ALWAYS FATHER TO THE THOUGHT. IN HOMAGE TO THAT. GODS EVER AND FOREVER LIVING CONSCIOUSNESS. THE PERFECT SUBLIME CREATIVE EXPRESSION OF THE DIVINE. THAT THAT THAT, HOLY, WHOLLY HOLY, ISISIS. BELOVED, WE ARE LIVING WITHIN THE MYTH OF MYTHS THE STORY OF THE PHYSICAL, OF MIND, AND SPIRIT. IN SACRED RECOGNITION OF KARMAS GLORIOUSLY MAGIC MIND. ACKNOWLEDGING ONCE AND FOR ALL SWEET ALCHERINGA, GODS HOLY DREAM TIME. THAT FECUND FERTILE MEMORY STORE FROM OUT THE IN OF WHICH IS KNIT THE SUM OF EVERLASTING LIFE. O DREAMER OF DREAMS, READ DEAR, READ THE MYTH OF N THE EVERLASTING NOW. ALL IS NOT WHAT IT SEEMS. DEPENDS ON YOUR I ME STATE OF MIND. THE SEE OF THE SELF THAT FEELS.

 

 

ADVENT 999 ADVEN

 

A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

 

FRATERNAL GREETINGS CITIZEN OF PLANET EARTH.

THANK YOU FOR 

HEARING THE PIPER AT THE GATES OF DAWN

AND SENDING FORTH YOUR WORDS OF POWER.

THE SIGHT OF THIS SITE IS NOT MY SITE. IT IS OUR SITE. THE ALL AND EVERYTHING OF PLANET EARTH, AN EVOCATION OF ETERNAL UNIVERSAL MIND!

AND THOU ART A BRIGHT AND PERCEPTIVE STAR OF WONDER, STAR OF LIGHT, STAR OF ROYAL BEAUTY BRIGHT!

SEEK AND YE SHALL FIND!

RELIGION RE LIGHT ON.

RELIGIONS 108-63-9

THE CYCLE OF THE CIRCLE?

ROUND AND ROUND THE MULBERRY BUSH..

https://www.reddit.com/r/Amazein973ehtnamuh973

https://www.reddit.com/domain/973-eht-namuh-973.com

RE THE ABOVE LINKS, SOME GNOSIS INSPIRED SEEKER OF TRUTH. HAS WITH BLESSED GOODWILL MAGICKED UP THESE REDDIT LINKS FROM OUT THE IN OF THE GREAT MOTHERS MOUTH.

THE CREATOR CONSCIOUSNESS HAS SENT THIS TO YOU.

SOUL

SO U LIVE

SO U LEARN

SO U LOVE.

KNOW THE WORD LOVE

LOVE

3645

LOVE

KNOW THE WORD LOVE

LOVE

9 9

LOVE

LOVE EVOLVE LOVE

9 9 9 9 9 9 9

LOVE EVOLVE LOVE

GOD KNOWS THIS!

GNOSIS, MOVES IN MYSTERIOUS AND MAGICAL WAYS IT'S WONDERS TO PERFORM.

REAL REALITY REVEALED.

BIRTHED FROM OUT THE IN OF THE UNIVERSAL GOD MIND.

AZ IN THE ALL OF EVERYTHING THAT IS EVER IS.

CREATION REACTION.

SO MUCH TO DO. DEVELOPING THE SITE!. AND ONLY THE OLD SEE INNER SINNER SEER MAN TO CHURN HAMLETS MILL.

WILL YOU PLEASE HELP ME,YOURSELF AND OTHERS BY MEANS OF THE SITE ORACLE, SET UP FOR ADDRESSING QUESTIONS TO THE COMMUNAL MIND.

AND ONE OF THE MEANS WHEREBY WE CAN FURTHER HELP IN BALANCING THE SEE SAW SEE OF THE GREAT WORK.'.

https://expulsia.com/973/coloured site/start/evokation/the_evokation.htm

THIS UNFOLDING OF THE R IN EVOLUTION REVOLUTION IS THE SAVING GRACE OF HUMANKIND.

EMANATING OUT THE IN OF UNIVERSAL MIND.

WISE WISDOM LOST AT SEA DROWNED IN A SEE OF KNOWLEDGE.

THE R IN EVOLUTION!

REVOLUTION, 

THE REVELATION OF REAL REALITY REVEALED.

REAL REALITY REVEALED

9 9 9 9 9 9 9 9 9 9

REAL REALITY REVEALED

THIS IS THE PRE-DOMINANT PATTERN OF THOSE PARTICULAR LETTERS AND NUMBERS.

ARRIVED AT BY NUMERICAL TRANSPOSITION OF THE LETTERS OF THE ENGLISH LANGUAGE ALPHABET.

AZIN A = 1 RIGHT THROUGH TO Z = 26.

ADD TO REDUCE

REDUCE TO DEDUCE

ESSENCE OF NUMBER.

MIND + MATTER = 9.

I THAT AM THAT TIME EMIT.

FROM A TIME WITHOUT TIME,

TIME IS THE PROBLEM.

I HAVE ASSEMBLED MOST OF THIS LETTER FROM WORK ALREADY SORTED.

HEARKEN TO THIS! O SEEKER OF TRUTH. THE IMAGES WERE PAINTED BY THAT THAT THAT I AM. BETWEEN 1963 AND THE LATE EIGHTIES!

THEY WERE BIRTHED INTO BEING FOR THE INTERNET BEFORE THERE WAS AN INTERNET.

REALISE THAT AND YOU R ON YOUR WAY.

FROM THE GOD OF ALL AND EVERYTHING

THE TIME THAT IS COMING NOW IS!

IF YOU BELIEVE IN THE SIGHT OF THE SITE.

SPREAD THE WORD OF THE GREAT AWAKENING.

THE PATH OF PTAH.

YOU ARE GOING ON A JOURNEY A VERY SPECIAL JOURNEY DO HAVE A PLEASANT JOURNEY DO!

I AM THAT I AM.

THAT I AM THAT I AM NEVER STOPS.

RE THE SITE

RE THE SUN GOD.

RE

R = 18 1+8 = 9

E = 5

1234 5 6789

ONE TWO THREE FOUR = 208 2+0+8 = 10 1+0 = 1

FIVE (FULCRUM POINT OF BALANCE)

SIX SEVEN EIGHT NINE = 208 2+0+8 = 10 1+0 = 1

FIVE = 6

ZERO = 1

OUT OF ZERO COMETH ONE!

ZERO ONE TWO THREE FOUR FIVE SIX SEVEN EIGHT NINE = 9

01234 5 6789 = 9

CIRCLE = 5

WISE

W IS E

WISE

5 IS 5

WISE

WISDOM

W IS DOM

5 IS 5

WISDOM

 

4
WISE
67
13
4
6
W
23
5
5
4
I
9
9
9
4
S
19
1
1
6
E
5
5
5
4
WISE
56
20
20
-
-
5+6
2+0
2+0
4
WISE
11
2
2
-
-
1+1
-
-
4
WISE
2
2
2

 

 

4
WISE
67
13
4
6
W
23
5
5
4
IS
28
10
1
6
E
5
5
5
4
WISE
56
20
11
-
-
5+6
2+0
1+1
4
WISE
11
2
2
-
-
1+1
-
-
4
WISE
2
2
2

 

 

6
WISDOM
67
13
4
6
W
23
5
5
4
I
9
9
9
4
S
19
10
1
6
D
4
4
4
6
O
15
6
6
4
M
13
4
4
6
WISDOM
83
29
29
-
-
8+3
2+9
2+9
6
WISDOM
11
11
11
-
-
1+1
1+1
1+1
6
WISDOM
2
2
2

 

 

6
WISDOM
67
13
4
6
W
23
5
5
4
IS
28
10
1
6
D+O+M
32
14
5
6
WISDOM
83
29
11
-
-
8+3
2+9
1+1
6
WISDOM
11
11
2
-
-
1+1
1+1
-
6
WISDOM
2
2
2

 

 

6
WINNER
67
13
4
6
W
23
5
5
4
I
9
9
9
4
N
14
5
5
6
N
14
5
5
6
E
5
5
5
4
R
9
9
9
6
WINNER
83
38
38
-
-
8+3
3+8
3+8
6
WINNER
11
11
11
-
-
1+1
1+1
1+1
6
WINNER
2
2
2

 

WINNER

WINNING

 

7
WINNING
67
13
4
6
W
23
5
5
4
I
9
9
9
4
N
14
5
5
6
N
14
5
5
4
I
9
9
9
6
N
14
5
5
4
G
7
7
7
7
WINNING
90
45
45
-
-
9+0
4+5
4+5
7
WINNING
9
9
9

 

HEADS I WIN TALES YOU LOSE

 

O
=
6
3
4
ODDS
42
15
6
A
=
1
4
3
AND
19
10
1
E
=
5
4
5
EVENS
65
20
2
E
=
5
3
5
EVENS
65
20
2
A
=
1
4
3
AND
19
10
1
O
=
6
4
4
ODDS
42
15
6

 

EXOTERIC

 

8
EXOTERIC
99
45
9
8
ESOTERIC
94
40
4
16
First Total
193
85
13
1+6
Add to Reduce
1+9+3
8+5
1+3
7
Second Total
13
13
4
8
Reduce to Deduce
1+3
1+3
-
7
Essence of Number
4
4
4

 

ESOTERIC

O SECRET I

ESOTERIC

ESOTERIC

6 SECRET 9

ESOTERIC

 

-
ESOTERIC
-
-
-
1
I
9
9
9
6
SECRET
70
34
7
1
O
15
6
6
8
ESOTERIC
94
49
22
-
-
9+4
4+9
2+2
8
ESOTERIC
13
13
4
-
-
1+3
1+3
-
8
ESOTERIC
4
4
4

 

 

-
ESOTERIC
-
-
-
1
O
15
6
6
6
SECRET
70
34
7
1
I
9
9
9
8
ESOTERIC
94
49
22
-
-
9+4
4+9
2+2
8
ESOTERIC
13
13
4
-
-
1+3
1+3
-
8
ESOTERIC
4
4
4

 

THE UPSIDE DOWN OF THE DOWNSIDE UP!

LIVE EVIL

EVIL LIVE

LIVE EVIL

 

L
=
3
-
4
LIVE
48
21
3
E
=
5
-
4
EVIL
48
21
3
-
-
8
-
8
First Total
96
42
6
-
-
-
-
-
Add to Reduce
9+6
4+2
-
-
-
7
-
8
Second Total
15
6
6
-
-
-
-
-
Reduce to Deduce
1+5
-
-
-
-
7
-
8
Essence of Number
6
6
6

 

 

LIVED DEVIL

 

L
=
3
-
5
LIVED
52
25
7
D
=
4
-
5
DEVIL
52
25
7
-
-
7
-
10
Add to Reduce
104
50
14
-
-
-
-
1+0
Reduce to Deduce
1+0+4
5+0
1+4
-
-
7
-
1
Essence of Number
5
5
5

LIVED DEVIL

DEVIL LIVED

 

NUMBERS

SBUMENR

NUMBERS

NUMBERS

5342591

SBUMENR

1234559

SBUMENR

NUMBERS

SOUL SO U LIVE

SOUL SO U LEARN

SOUL SO U LOVE!

KARMA A MARK IS

IS LIFE FILE IS

PERSEPHONE PERSEUS IS ON THE PHONE FOR YOU?

KEEP TREADING THE PATH OF PTAH!

PATH = 9

PTAH = 9

ONE = 7

SEVEN = 2

TWO = 4

FOUR = 6

SIX = 7

BACK TO SQUARE ONE!

THE GREAT WORK!

ADDED TO ALL MINUS NONE

SHARED BY EVERYTHING

MULTIPLIED IN ABUNDANCE

ABCDEFGHIJKLMNOPQRSTUVWXYZ = 351-126-9

GNOSIS

GOD KNOWS THIS

GODS SON IS

GNOSIS

HAVE YOU ANYTHING TO DECLARE?.

KNOW I’M TRAVELLING LIGHT

I’M DENISON = DIMENSION

I’M DENISON FROM THE I’M DENISON DIMENSION. 

LOVE EVOLVE LOVE

9 9 9 9 9 9 9

LOVE EVOLVE LOVE

LOVE LIGHT LIFE

BEYOND THE VEIL ANOTHER VEIL ANOTHER VEIL BEYOND

 

A HISTORY OF GOD

Karen Armstrong 1993

The God of the Mystics

Page 250

"Perhaps the most famous of the early Jewish mystical texts is the fifth century Sefer Yezirah (The Book of Creation). There is no attempt to describe the creative process realistically; the account is unashamedly symbolic and shows God creating the world by means of language as though he were writing a book. But language has been entirely transformed and the message of creation is no longer clear. Each letter of the Hebrew alphabet is given a numerical value; by combining the letters with the sacred numbers, rearranging them in endless configurations, the mystic weaned his mind away from the normal connotations of words."

Page 250

THERE IS NO ATTEMPT MADE TO DESCRIBE THE CREATIVE PROCESS REALISTICALLY THE ACCOUNT

IS UNASHAMEDLY SYMBOLIC AND SHOWS GOD CREATING THE WORLD BY MEANS OF LANGUAGE AS

THOUGH HE WERE WRITING A BOOK. BUT LANGUAGE HAS BEEN ENTIRELY TRANSFORMED AND THE

MESSAGE OF CREATION IS NO LONGER CLEAR EACH LETTER OF THE HEBREW ALPHABET IS GIVEN

A NUMERICAL VALUE BY COMBINING THE LETTERS WITH THE SACRED NUMBERS REARRANGING

THEM IN ENDLESS CONFIGURATIONS THE MYSTIC WEANED THE MIND AWAY FROM THE NORMAL

CONNOTATIONS OF WORDS

BEYOND THE VEIL ANOTHER VEIL ANOTHER VEIL BEYOND

 

 

A

HISTORY OF GOD

Karen Armstrong 1993

The God of the Mystics

Page 250

"Perhaps the most famous of the early Jewish mystical texts is the fifth century Sefer Yezirah (The Book of Creation). There is no attempt to describe the creative process realistically; the account is unashamedly symbolic and shows God creating the world by means of language as though he were writing a book. But language has been entirely transformed and the message of creation is no longer clear. Each letter of the Hebrew alphabet is given a numerical value; by combining the letters with the sacred numbers, rearranging them in endless configurations, the mystic weaned his mind away from the normal connotations of words."

 

Page 250

THERE IS NO ATTEMPT MADE TO DESCRIBE THE CREATIVE PROCESS REALISTICALLY THE ACCOUNT

IS UNASHAMEDLY SYMBOLIC AND SHOWS GOD CREATING THE WORLD BY MEANS OF LANGUAGE AS

THOUGH HE WERE WRITING A BOOK. BUT LANGUAGE HAS BEEN ENTIRELY TRANSFORMED AND THE

MESSAGE OF CREATION IS NO LONGER CLEAR EACH LETTER OF THE HEBREW ALPHABET IS GIVEN

A NUMERICAL VALUE BY COMBINING THE LETTERS WITH THE SACRED NUMBERS REARRANGING

THEM IN ENDLESS CONFIGURATIONS THE MYSTIC WEANED THE MIND AWAY FROM THE NORMAL

CONNOTATIONS OF WORDS

 

 

THE LIGHT IS RISING NOW RISING IS THE LIGHT

 

 

 

ABCDEFGHIJKLMNOPQRSTUVWXYZZYXWVUTSRQPONMLKJIHGFEDCBA

12345678910111213141516171819202122232425262625242322212019181716151413121110987654321

ABCDEFGHIJKLMNOPQRSTUVWXYZZYXWVUTSRQPONMLKJIHGFEDCBA

 


 

 

LIGHT AND LIFE

Lars Olof Bjorn 1976

Page 197

"By writing the 26 letters of the alphabet in a certain order one may put down almost any message (this book 'is written with the same letters' as the Encyclopaedia Britannica and Winnie the Pooh, only the order of the letters differs). In the same way Nature is able to convey with her language how a cell and a whole organism is to be constructed and how it is to function. Nature has succeeded better than we humans; for the genetic code there is only one universal language which is the same in a man, a bean plant and a bacterium."

"BY WRITING THE 26 LETTERS OF THE ALPHABET IN A CERTAIN ORDER

ONE MAY PUT DOWN ALMOST ANY MESSAGE"

DNA AND DNA DNA AND DNA DNA AND DNA

DNA AND DNA DNA AND DNA DNA AND DNA 

 

"FOR THE GENETIC CODE THERE IS ONLY ONE UNIVERSAL LANGUAGE"


 

 

A QUEST FOR THE BEGINNING AND THE END

Graham Hancock 1995

Chapter 32

Speaking to the Unborn

Page 285

"It is understandable that a huge range of myths from all over the ancient world should describe geological catastrophes in graphic detail. Mankind survived the horror of the last Ice Age, and the most plausible source for our enduring traditions of flooding and freezing, massive volcanism and devastating earthquakes is in the tumultuous upheavals unleashed during the great meltdown of 15,000 to 8000 BC. The final retreat of the ice sheets, and the consequent 300-400 foot rise in global sea levels, took place only a few thousand years before the beginning of the historical period. It is therefore not surprising that all our early civilizations should have retained vivid memories of the vast cataclysms that had terrified their forefathers.
Much harder to explain is the peculiar but distinctive way the myths of cataclysm seem to bear the intelligent imprint of a guiding hand.l Indeed the degree of convergence between such ancient stories is frequently remarkable enough to raise the suspicion that they must all have been 'written' by the same 'author'.
Could that author have had anything to do with the wondrous deity, or superhuman, spoken of in so many of the myths we have reviewed, who appears immediately after the world has been shattered by a horrifying geological catastrophe and brings comfort and the gifts of civilization to the shocked and demoralized survivors?
White and bearded, Osiris is the Egyptian manifestation of this / Page 286 / universal figure, and it may not be an accident that one of the first acts he is remembered for in myth is the abolition of cannibalism among the primitive inhabitants of the Nile Valley.2 Viracocha, in South America, was said to have begun his civilizing mission immediately after a great flood; Quetzalcoatl, the discoverer of maize, brought the benefits of crops, mathematics, astronomy and a refined culture to Mexico after the Fourth Sun had been overwhelmed by a destroying deluge.
Could these strange myths contain a record of encounters between scattered palaeolithic tribes which survived the last Ice Age and an as yet unidentified high civilization which passed through the same epoch?
And could the myths be attempts to communicate?

A message in the bottle of time

'Of all the other stupendous inventions,' Galileo once remarked,

what sublimity of mind must have been his who conceived how to communicate his most secret thoughts to any other person, though very distant either in time or place, speaking with those who are in the Indies, speaking to those who are not yet born, nor shall be this thousand or ten thousand years? And with no greater difficulty than the various arrangements of two dozen little signs on paper?

Let this be the seal of all the admirable inventions of men.3

 

1
I
9
9
9
3
SAY
45
9
9
7
DECODER
54
36
9
6
DECODE
36
27
9
4
CODE
27
18
9
-
-
-
-
-
S
-
S
S
-
5
CODED
31
22
4
5
CODES
46
19
1

 

 

S
CODE
-
-
-
2
C+O
18
9
9
2
D+E
9
9
9
S
DECODE
-
-
-
2
D+E
9
9
9
2
C+O
18
9
9
2
D+E
9
9
9
S
DECODER
-
-
-
2
D+E
9
9
9
2
C+O
18
9
9
2
D+E
9
9
9
1
R
18
9
9
S
DECODER
-
-
-

 

 

CODE DE CODE

C+O D+E D+E C+O D+E

9+9+9+9+9

C+O D+E D+E C+O D+E

CODE DE CODE

 

 

Oh what a tangled web we weave,
When first we practise to deceive!

Sir Walter Scott, Marmion, Canto vi. Stanza 17.
Scottish author & novelist (1771 - 1832)


 

O
=
6
-
2
OH
23
14
5
W
=
5
-
4
WHAT
52
16
7
A
=
1
-
1
A
1
1
1
T
=
2
-
7
TANGLED
63
27
9
W
=
5
-
3
WEB
30
12
3
W
=
5
-
2
WE
28
10
1
W
=
5
-
5
WEAVE
56
20
2
W
=
5
-
4
WHEN
50
23
5
F
=
6
-
5
FIRST
72
27
9
W
=
5
-
2
WE
28
10
1
P
=
7
-
8
PRACTICE
75
39
3
T
=
2
-
2
TO
35
8
8
D
=
4
-
7
DECEIVE
53
35
9
-
-
58
-
52
First Total
530
233
53
-
-
5+8
-
5+2
Add to Reduce
5+3+0
2+2+5
5+3
-
-
13
-
7
Second Total
8
8
8
-
-
1+3
-
-
Reduce to Deduce
-
-
-
-
-
4
-
7
Essence of Number
8
8
8

 

 

THE FATEFUL ENCOUNTER

 

-
CODE
-
-
-
2
CO
18
9
9
2
DE
9
9
9
4
CODE
27
18
18
-
-
2+7
1+8
1+8
4
CODE
9
9
9

 

HAMLET'S MILL

AN ESSAY INVESTIGATING THE ORIGINS OF HUMAN KNOWLEDGE

AND ITS TRANSMISSION THROUGH MYTH

Giorgio De Santillana and Hertha Von Dechend 1969

Page 162

"Finally, there is one remarkable and disturbing coincidence from the same direction. It is known that in the final battle of the gods, the massed legions on the side of "order" are the dead warriors, the "Einherier" who once fell in combat on earth and who have been transferred by the Valkyries to reside with Odin in Valhalla-a theme much rehearsed in heroic poetry. On the last day, they issue forth to battle in martial array. Says the Grimnismal (23): "Five hundred gates and forty more-are in the mighty building of Wal­halla-eight hundred 'Einherier' come out of each one gate-on the time they go out on defence against the Wolf."
That makes 432,000 in all, a number of significance from of old.
This number must have had a very ancient meaning, for it is also the number of syllables in the Rigveda. But it goes back to the basic figure 10,800, the number of stanzas in the Rigveda (40 syllables to a stanza) which, together with 108, occurs insistently in Indian tradition. 10,800 is also the number which has been given by Heraclitus for the duration of the Aion, according to Censorinus (De die natali 18), whereas Berossos made the Babylonian Great Year to last 432,000 years. Again, 10,800 is the number of bricks of the Indian fire-altar (Agnicayana). 32
"To quibble away such a coincidence," remarks Schroder, "or to ascribe it to chance, is in my opinion to drive skepticism beyond its limits."33 Shall one add Angkor to the list? It has five gates, and to each of them leads a road, bridging over that water ditch which surrounds the whole place. Each of these roads is bordered by a row of huge stone figures, 108 per avenue, 54 on each side, altogether 540 statues of Deva and Asura, and each row carries a huge Naga / Page 163 / serpent with nine heads. Only, they do not "carry" that serpent, they are shown to "pull" it, which indicates that these 540 statues are churning the Milky Ocean, represented (poorly, indeed) by the water ditch,34 using Mount Mandara as a churning staff, and Vasuki, the prince of the Nagas, as their drilling rope. (Just to prevent misunderstanding: Vasuki had been asked before, and had agreeably consented, and so had Vishnu's tortoise avatar, who was going to serve as the fixed base for that "incomparably mighty churn," and even the Milky Ocean itself had made it clear that it was willing to be churned.) The whole of Angkor thus turns out to be a colossal model set up for "alternative motion" with true Hindu fantasy and incongruousness to counter the idea of a continuous one-way Precession from west to east."

 

www.bibliotecapleyades.net/hamlets_mill/hamlet

HAMLET'S MILL

AN ESSAY INVESTIGATING THE ORIGINS OF HUMAN KNOWLEDGE

AND ITS TRANSMISSION THROUGH MYTH

Giorgio De Santillana and Hertha Von Dechend 1969

CHAPTER X

The Twilight of the Gods

 

"Egyptian Book of the Dead, Osiris speaking:

 

"Hail, Thot! What is it that hath happened to the divine children of Nut? They have done battle, they have upheld strife, they have made slaughter, they have caused trouble: in truth, in all their doing the mighty have worked against the weak. Grant, O might of Thot, that that which the God Atum hath decreed (may be accomplished)! And thou regardest not evil nor art thou provoked to anger when they bring their years to confusion and throng in and push to disturb their months; for in all that they have done unto thee, they have worked iniquity in secret!" [n1 Chapter 175, 1-8, W. Budge trans. The italics are ours.].

 

Thot is the god of science and wisdom; as for Atum, he precedes, so to speak, the divine hierarchy."

 

 

 

The fateful encounter hypothesis which is what is most commonly accepted is that it was solely by chance that a single mitochondria was taken up by a single ancient bacterial cell that then divided together to give each daughter cell a mitochondria of its own.27 Oct 2014

 

 

 

-
-
-
-
19
THE FATEFUL ENCOUNTER
-
-
-
T
=
2
-
3
THE
33
15
6
F
=
6
-
7
FATEFUL
71
26
8
E
=
5
-
9
ENCOUNTER
115
43
7
-
-
13
-
19
THE FATEFUL ENCOUNTER
219
84
21
-
-
1+3
-
1+9
-
2+1+9
8+4
2+1
-
-
4
-
10
THE FATEFUL ENCOUNTER
12
12
3
-
-
-
-
1+0
-
1+2
1+2
-
-
-
4
-
1
THE FATEFUL ENCOUNTER
3
3
3

 

 

-
-
-
-
19
THE FATEFUL ENCOUNTER
-
-
-
-
1
2
3
4
5
6
7
8
9
T
=
2
-
3
THE
33
15
6
-
-
-
-
-
-
-
-
-
-
F
=
6
-
7
FATEFUL
71
26
8
-
-
-
-
-
-
-
-
-
-
E
=
5
-
9
ENCOUNTER
115
43
7
-
-
-
-
-
-
-
-
-
-
-
-
13
-
19
THE FATEFUL ENCOUNTER
219
84
21
-
1
2
3
4
5
6
7
8
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
T
=
2
6
1
T
20
2
2
-
-
2
-
-
-
-
-
-
-
H
=
8
2
1
H
8
8
8
-
-
-
-
-
-
-
-
8
-
E
=
5
3
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
-
-
15
-
3
THE FATEFUL ENCOUNTER
33
15
15
-
-
-
-
-
-
-
-
-
-
F
=
6
4
1
F
6
6
6
-
-
-
-
-
-
6
-
-
-
A
=
1
5
1
A
1
1
1
-
1
-
-
-
-
-
-
-
-
T
=
2
6
1
T
20
2
2
-
-
2
-
-
-
-
-
-
-
E
=
5
7
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
F
=
6
8
1
F
6
6
6
-
-
-
-
-
-
6
-
-
-
U
=
3
9
1
U
21
3
3
-
-
-
3
-
-
-
-
-
-
L
=
3
10
1
L
12
3
3
-
-
-
3
-
-
-
-
-
-
-
-
25
-
7
THE FATEFUL ENCOUNTER
71
26
26
-
-
-
-
-
-
-
-
-
-
E
=
5
12
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
N
=
5
13
1
N
14
5
5
-
-
-
-
-
5
-
-
-
-
C
=
3
14
1
C
3
3
3
-
-
-
3
-
-
-
-
-
-
O
=
6
15
1
O
15
6
6
-
-
-
-
-
-
6
-
-
-
U
=
3
16
1
U
21
3
3
-
-
-
3
-
-
-
-
-
-
N
=
5
17
1
N
14
5
5
-
-
-
-
-
5
-
-
-
-
T
=
2
18
1
T
20
2
2
-
-
2
-
-
-
-
-
-
-
E
=
5
7
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
R
=
9
20
1
R
18
9
9
-
-
-
-
-
-
-
-
-
9
-
-
49
-
9
THE FATEFUL ENCOUNTER
115
43
43
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
19
THE FATEFUL ENCOUNTER
-
-
-
-
1
6
12
4
30
18
7
8
9
T
=
2
-
3
THE
33
15
6
-
-
-
1+2
-
3+0
1+8
-
-
-
F
=
6
-
7
FATEFUL
71
26
8
-
1
6
3
4
3
9
7
8
9
E
=
5
-
9
ENCOUNTER
115
43
7
-
-
-
-
-
-
-
-
-
-
-
-
13
-
19
THE FATEFUL ENCOUNTER
219
84
21
-
1
6
3
4
3
9
7
8
9
-
-
1+3
-
1+9
-
2+1+9
8+4
2+1
-
-
-
-
-
-
-
-
-
-
-
-
4
-
10
THE FATEFUL ENCOUNTER
12
12
3
-
1
6
3
4
3
9
7
8
9
-
-
-
-
1+0
-
1+2
1+2
-
-
-
-
-
-
-
-
-
-
-
-
-
4
-
1
THE FATEFUL ENCOUNTER
3
3
3
-
1
6
3
4
3
9
7
8
9

 

 

-
-
-
-
19
THE FATEFUL ENCOUNTER
-
-
-
-
1
2
3
4
5
6
7
8
9
T
=
2
-
3
THE
33
15
6
-
-
-
-
-
-
-
-
-
-
F
=
6
-
7
FATEFUL
71
26
8
-
-
-
-
-
-
-
-
-
-
E
=
5
-
9
ENCOUNTER
115
43
7
-
-
-
-
-
-
-
-
-
-
-
-
13
-
19
THE FATEFUL ENCOUNTER
219
84
21
-
1
2
3
4
5
6
7
8
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
T
=
2
6
1
T
20
2
2
-
-
2
-
4
-
-
7
-
-
H
=
8
2
1
H
8
8
8
-
-
-
-
4
-
-
7
8
-
E
=
5
3
1
E
5
5
5
-
-
-
-
4
5
-
7
-
-
F
=
6
4
1
F
6
6
6
-
-
-
-
4
-
6
7
-
-
A
=
1
5
1
A
1
1
1
-
1
-
-
4
-
-
7
-
-
T
=
2
6
1
T
20
2
2
-
-
2
-
4
-
-
7
-
-
E
=
5
7
1
E
5
5
5
-
-
-
-
4
5
-
7
-
-
F
=
6
8
1
F
6
6
6
-
-
-
-
4
-
6
7
-
-
U
=
3
9
1
U
21
3
3
-
-
-
3
4
-
-
7
-
-
L
=
3
10
1
L
12
3
3
-
-
-
3
4
-
-
7
-
-
E
=
5
12
1
E
5
5
5
-
-
-
-
4
5
-
7
-
-
N
=
5
13
1
N
14
5
5
-
-
-
-
4
5
-
7
-
-
C
=
3
14
1
C
3
3
3
-
-
-
3
4
-
-
7
-
-
O
=
6
15
1
O
15
6
6
-
-
-
-
4
-
6
7
-
-
U
=
3
16
1
U
21
3
3
-
-
-
3
4
-
-
7
-
-
N
=
5
17
1
N
14
5
5
-
-
-
-
4
5
-
7
-
-
T
=
2
18
1
T
20
2
2
-
-
2
-
4
-
-
7
-
-
E
=
5
7
1
E
5
5
5
-
-
-
-
4
5
-
7
-
-
R
=
9
20
1
R
18
9
9
-
-
-
-
4
-
-
7
-
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
19
THE FATEFUL ENCOUNTER
-
-
-
-
1
6
12
4
30
18
7
8
9
T
=
2
-
3
THE
33
15
6
-
-
-
1+2
-
3+0
1+8
-
-
-
F
=
6
-
7
FATEFUL
71
26
8
-
1
6
3
4
3
9
7
8
9
E
=
5
-
9
ENCOUNTER
115
43
7
-
-
-
-
-
-
-
-
-
-
-
-
13
-
19
THE FATEFUL ENCOUNTER
219
84
21
-
1
6
3
4
3
9
7
8
9
-
-
1+3
-
1+9
-
2+1+9
8+4
2+1
-
-
-
-
-
-
-
-
-
-
-
-
4
-
10
THE FATEFUL ENCOUNTER
12
12
3
-
1
6
3
4
3
9
7
8
9
-
-
-
-
1+0
-
1+2
1+2
-
-
-
-
-
-
-
-
-
-
-
-
-
4
-
1
THE FATEFUL ENCOUNTER
3
3
3
-
1
6
3
4
3
9
7
8
9

 

LETTERS TRANSPOSED INTO NUMBER REARRANGED INTO NUMERICAL ORDER

 

-
-
-
-
19
THE FATEFUL ENCOUNTER
-
-
-
-
1
2
3
4
5
6
7
8
9
T
=
2
-
3
THE
33
15
6
-
-
-
-
-
-
-
-
-
-
F
=
6
-
7
FATEFUL
71
26
8
-
-
-
-
-
-
-
-
-
-
E
=
5
-
9
ENCOUNTER
115
43
7
-
-
-
-
-
-
-
-
-
-
-
-
13
-
19
THE FATEFUL ENCOUNTER
219
84
21
-
1
2
3
4
5
6
7
8
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
A
=
1
5
1
A
1
1
1
-
1
-
-
4
-
-
7
-
-
T
=
2
6
1
T
20
2
2
-
-
2
-
4
-
-
7
-
-
T
=
2
6
1
T
20
2
2
-
-
2
-
4
-
-
7
-
-
T
=
2
18
1
T
20
2
2
-
-
2
-
4
-
-
7
-
-
U
=
3
9
1
U
21
3
3
-
-
-
3
4
-
-
7
-
-
L
=
3
10
1
L
12
3
3
-
-
-
3
4
-
-
7
-
-
C
=
3
14
1
C
3
3
3
-
-
-
3
4
-
-
7
-
-
U
=
3
16
1
U
21
3
3
-
-
-
3
4
-
-
7
-
-
E
=
5
3
1
E
5
5
5
-
-
-
-
4
5
-
7
-
-
E
=
5
7
1
E
5
5
5
-
-
-
-
4
5
-
7
-
-
E
=
5
12
1
E
5
5
5
-
-
-
-
4
5
-
7
-
-
N
=
5
13
1
N
14
5
5
-
-
-
-
4
5
-
7
-
-
N
=
5
17
1
N
14
5
5
-
-
-
-
4
5
-
7
-
-
E
=
5
7
1
E
5
5
5
-
-
-
-
4
5
-
7
-
-
F
=
6
4
1
F
6
6
6
-
-
-
-
4
-
6
7
-
-
F
=
6
8
1
F
6
6
6
-
-
-
-
4
-
6
7
-
-
O
=
6
15
1
O
15
6
6
-
-
-
-
4
-
6
7
-
-
H
=
8
2
1
H
8
8
8
-
-
-
-
4
-
-
7
8
-
R
=
9
20
1
R
18
9
9
-
-
-
-
4
-
-
7
-
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
19
THE FATEFUL ENCOUNTER
-
-
-
-
1
6
12
4
30
18
7
8
9
T
=
2
-
3
THE
33
15
6
-
-
-
1+2
-
3+0
1+8
-
-
-
F
=
6
-
7
FATEFUL
71
26
8
-
1
6
3
4
3
9
7
8
9
E
=
5
-
9
ENCOUNTER
115
43
7
-
-
-
-
-
-
-
-
-
-
-
-
13
-
19
THE FATEFUL ENCOUNTER
219
84
21
-
1
6
3
4
3
9
7
8
9
-
-
1+3
-
1+9
-
2+1+9
8+4
2+1
-
-
-
-
-
-
-
-
-
-
-
-
4
-
10
THE FATEFUL ENCOUNTER
12
12
3
-
1
6
3
4
3
9
7
8
9
-
-
-
-
1+0
-
1+2
1+2
-
-
-
-
-
-
-
-
-
-
-
-
-
4
-
1
THE FATEFUL ENCOUNTER
3
3
3
-
1
6
3
4
3
9
7
8
9

 

 

-
-
-
-
19
THE FATEFUL ENCOUNTER
-
-
-
-
1
2
3
5
6
8
9
T
=
2
-
3
THE
33
15
6
-
-
-
-
-
-
-
-
F
=
6
-
7
FATEFUL
71
26
8
-
-
-
-
-
-
-
-
E
=
5
-
9
ENCOUNTER
115
43
7
-
-
-
-
-
-
-
-
-
-
13
-
19
THE FATEFUL ENCOUNTER
219
84
21
-
1
2
3
5
6
8
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
A
=
1
5
1
A
1
1
1
-
1
-
-
-
-
-
-
T
=
2
6
1
T
20
2
2
-
-
2
-
-
-
-
-
T
=
2
6
1
T
20
2
2
-
-
2
-
-
-
-
-
T
=
2
18
1
T
20
2
2
-
-
2
-
-
-
-
-
U
=
3
9
1
U
21
3
3
-
-
-
3
-
-
-
-
L
=
3
10
1
L
12
3
3
-
-
-
3
-
-
-
-
C
=
3
14
1
C
3
3
3
-
-
-
3
-
-
-
-
U
=
3
16
1
U
21
3
3
-
-
-
3
-
-
-
-
E
=
5
3
1
E
5
5
5
-
-
-
-
5
-
-
-
E
=
5
7
1
E
5
5
5
-
-
-
-
5
-
-
-
E
=
5
12
1
E
5
5
5
-
-
-
-
5
-
-
-
N
=
5
13
1
N
14
5
5
-
-
-
-
5
-
-
-
N
=
5
17
1
N
14
5
5
-
-
-
-
5
-
-
-
E
=
5
7
1
E
5
5
5
-
-
-
-
5
-
-
-
F
=
6
4
1
F
6
6
6
-
-
-
-
-
6
-
-
F
=
6
8
1
F
6
6
6
-
-
-
-
-
6
-
-
O
=
6
15
1
O
15
6
6
-
-
-
-
-
6
-
-
H
=
8
2
1
H
8
8
8
-
-
-
-
-
-
8
-
R
=
9
20
1
R
18
9
9
-
-
-
-
-
-
-
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
19
THE FATEFUL ENCOUNTER
-
-
-
-
1
6
12
30
18
8
9
T
=
2
-
3
THE
33
15
6
-
-
-
1+2
3+0
1+8
-
-
F
=
6
-
7
FATEFUL
71
26
8
-
1
6
3
3
9
8
9
E
=
5
-
9
ENCOUNTER
115
43
7
-
-
-
-
-
-
-
-
-
-
13
-
19
THE FATEFUL ENCOUNTER
219
84
21
-
1
6
3
3
9
8
9
-
-
1+3
-
1+9
-
2+1+9
8+4
2+1
-
-
-
-
-
-
-
-
-
-
4
-
10
THE FATEFUL ENCOUNTER
12
12
3
-
1
6
3
3
9
8
9
-
-
-
-
1+0
-
1+2
1+2
-
-
-
-
-
-
-
-
-
-
-
4
-
1
THE FATEFUL ENCOUNTER
3
3
3
-
1
6
3
3
9
8
9

 


What is the Fateful encounter hypothesis? - Quora

The fateful encounter is an earlier more arbitrary term of what biologist now calls the Microbial Eve or the Last Universal Common Ancestor (LUCA).
2 answers · Top answer: If refer to the chance event that led to ‘start of evolution’.

 

The fateful encounter of mitochondria with calcium - PubMed
https://pubmed.ncbi.nlm.nih.gov › ...

by E Carafoli · 2010 · Cited by 117 — The fateful encounter of mitochondria with calcium: how did it happen? Biochim Biophys Acta. Jun-Jul 2010;1797(6-7):595-606. doi: ...

 

Fateful encounter definition and meaning - Collins Dictionary
https://www.collinsdictionary.com › dictionary › english

Fateful encounter definition: An encounter with someone is a meeting with them, particularly one that is unexpected or... | Meaning, pronunciation ...

However, the 'fateful encounter' needed to create intelligent life from two simple life forms vastly reduces the odds of any extraterrestrial squeezing its way through this evolutionary bottleneck.
Times, Sunday Times

fateful encounter
encounter an obstacle
encounter frequently
encounter opposition
encounter resistance
face-to-face encounter
fateful encounter
memorable encounter
personal encounter
random encounter
romantic encounter
strange encounter
subsequent encounter
survive an encounter
unexpected encounter

 

 

-
EGYPT
-
-
-
-
-
-
1
E
5
5
5
--
-
5
1
G
7
7
7
-
7
-
1
Y
25
7
7
-
7
-
1
P
16
7
7
-
7
-
1
T
20
2
2
--
-
2
5
EGYPT
73
28
28
-
21
7
-
-
7+3
2+8
2+8
-
2+1
-
5
EGYPT
10
10
10
--
3
7
-
-
1+0
1+0
1+0
-
-
-
5
EGYPT
1
7
7
--
3
7

 

 

-
5
E
G
Y
P
T
-
-
-
-
-
-
-
-
-
-
-
-
5
7
7
7
2
+
=
28
2+8
=
10
1+0
1
=
1
-
-
5
7
25
16
20
+
=
73
7+3
=
10
1+0
1
=
1
-
5
E
G
Y
P
T
-
-
-
-
-
-
-
-
-
-
-
-
5
7
7
7
2
+
=
28
2+8
=
10
1+0
1
=
1
-
-
5
7
25
16
20
+
=
73
7+3
=
10
1+0
1
=
1
-
5
E
G
Y
P
T
-
-
-
-
-
-
-
-
-
-
-
-
5
7
25
16
20
+
=
73
7+3
=
10
1+0
1
=
1
-
-
5
7
7
7
2
+
=
28
2+8
=
10
1+0
1
=
1
-
5
E
G
Y
P
T
-
-
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
-
1
ONE
1
-
-
-
-
-
-
-
-
-
-
-
2
-
-
2
occurs
x
1
=
2
=
2
3
-
-
-
-
-
-
-
-
3
THREE
3
-
-
-
-
-
4
-
-
-
-
-
-
-
-
4
FOUR
4
-
-
-
-
-
-
-
5
-
-
-
-
-
-
5
occurs
x
1
=
5
=
5
6
-
-
-
-
-
-
-
-
6
SIX
6
-
-
-
-
-
-
-
-
7
7
7
-
-
-
7
occurs
x
3
=
21
2+1
3
8
-
-
-
-
-
-
-
-
8
EIGHT
8
-
-
-
-
-
9
-
-
-
-
-
-
-
-
9
-
-
-
-
-
-
-
31
5
E
G
Y
P
T
-
-
14
-
-
5
-
28
-
10
3+1
-
-
7
7
7
-
-
-
1+4
-
-
-
-
2+8
-
1+0
4
5
E
G
Y
P
T
-
-
5
-
-
5
-
10
-
1
-
-
5
-
+
-
2
=
7
-
-
-
-
-
1+0
-
-
4
5
E
G
Y
P
T
-
-
5
-
-
5
-
10
-
1
-
-
5
7
7
7
2
-
-
-
-
-
-
-
1+0
-
-
4
5
E
G
Y
P
T
-
-
5
-
-
5
-
1
-
1

 

 

5
E
G
Y
P
T
-
-
-
-
-
-
-
-
-
-
-
5
7
7
7
2
+
=
28
2+8
=
10
1+0
1
=
1
-
5
7
25
16
20
+
=
73
7+3
=
10
1+0
1
=
1
5
E
G
Y
P
T
-
-
-
-
-
-
-
-
-
-
-
5
7
7
7
2
+
=
28
2+8
=
10
1+0
1
=
1
-
5
7
25
16
20
+
=
73
7+3
=
10
1+0
1
=
1
5
E
G
Y
P
T
-
-
-
-
-
-
-
-
-
-
-
5
7
25
16
20
+
=
73
7+3
=
10
1+0
1
=
1
-
5
7
7
7
2
+
=
28
2+8
=
10
1+0
1
=
1
5
E
G
Y
P
T
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
2
-
-
2
occurs
x
1
=
2
=
2
-
5
-
-
-
-
-
-
5
occurs
x
1
=
5
=
5
-
-
7
7
7
-
-
-
7
occurs
x
3
=
21
2+1
3
5
E
G
Y
P
T
-
-
14
-
-
5
-
28
-
10
-
-
7
7
7
-
-
-
1+4
-
-
-
-
2+8
-
1+0
5
E
G
Y
P
T
-
-
5
-
-
5
-
10
-
1
-
5
-
+
-
2
=
7
-
-
-
-
-
1+0
-
-
5
E
G
Y
P
T
-
-
5
-
-
5
-
10
-
1
-
5
7
7
7
2
-
-
-
-
-
-
-
1+0
-
-
5
E
G
Y
P
T
-
-
5
-
-
5
-
1
-
1

 

 

EGYPT 57772 EGYPT

EGYPT

777

EGYPT

5+2 = 7 7 = 5+2

EGYPT

EGYPT 57772 EGYPT

EGYPT

EGYPT 57772 EGYPT

 

 

J
=
1
-
6
JOSEPH
73
28
1
J
=
1
-
5
JESUS
74
11
2
M
=
4
-
4
MARY
57
21
3
-
-
6
-
15
-
204
60
6
-
-
-
-
1+5
-
2+0+4
6+0
-
-
-
-
-
6
-
6
6
6
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
6
JOSEPH
1
6+1
7
-
-
-
-
5
JESUS
2
5+2
7
-
-
-
-
4
MARY
3
4+3
7

 

RE THE HOLY FAMILY
REMEMBER THE HOLY SEVEN
THE ROOT NUMBER OF THE 6 LETTERED JOSEPH = 1 (6+1) = 7
THE ROOT NUMBER OF THE 5 LETTERED JESUS = 2 (2+5) = 7
THE ROOT NUMBER OF THE 4 LETTERED MARY = 3 (4+3) = 7

 

J
=
1
-
6
JOSEPH
73
28
1
J
=
1
-
5
JESUS
74
11
2
M
=
4
-
4
MARY
57
21
3
-
-
6
-
15
-
204
60
6
-
-
-
-
1+5
-
2+0+4
6+0
-
-
-
-
-
6
-
6
6
6
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
6
JOSEPH
1
6+1
7
-
-
-
-
5
JESUS
2
5+2
7
-
-
-
-
4
MARY
3
4+3
7

 

 

THE

FAR YONDER SCRIBE

AND OFT TIMES SHADOWED SUBSTANCES WATCHED IN FINE AMAZE

THE

ZED ALIZ ZED

IN SWIFT REPEAT SCATTER STAR DUST AMONGST THE LETTERS OF THEIR PROGRESS

AT THE THROW OF THE NINTH NUMBER WHEN IN CONJUNCTION SET

THE

FAR YONDER SCRIBE

MADE RECORD OF THEIR FALL

 

 

NUMBER

9

THE SEARCH FOR THE SIGMA CODE

Cecil Balmond 1998

Cycles and Patterns

Page 165

Patterns

"The essence of mathematics is to look for patterns.

Our minds seem to be organised to search for relationships and sequences. We look for hidden orders.

These intuitions seem to be more important than the facts themselves, for there is always the thrill at finding something, a pattern, it is a discovery - what was unknown is now revealed. Imagine looking up at the stars and finding the zodiac!

Searching out patterns is a pure delight.

Suddenly the counters fall into place and a connection is found, not necessarily a geometric one, but a relationship between numbers, pictures of the mind, that were not obvious before. There is that excitement of finding order in something that was otherwise hidden.

And there is the knowledge that a huge unseen world lurks behind the facades we see of the numbers themselves."

 

WISDOM OF THE EAST

by Hari Prasad Shastri 1948

Page 8

"There is no such word in Sanscrita as 'Creation' applied to the universe. The Sanscrita word for Creation is Shristi, which means 'projection' Creation means to bring something into being out /Page 9/ of nothing, to create, as a novelist creates a character. There was no Miranda, for example, until Shakespeare created her. Similarly the ancient Indians (this term is innacurately used as there was no India at that time). who were our ancestors long, long ago. used a word for creation that means 'projection'.

 

1
I
9
9
9
3
SAY
45
9
9
7
DECODER
54
36
9
6
DECODE
36
27
9
4
CODE
27
18
9
-
-
-
-
-
-
-
-
-
-
5
CODED
31
22
4
5
CODES
46
19
1

 

 

-
CODE
--
-
-
2
C+O
18
9
9
2
D+E
9
9
9
-
DECODE
--
-
-
2
D+E
9
9
9
2
C+O
18
9
9
2
D+E
9
9
9
-
DECODER
--
-
-
2
D+E
9
9
9
2
C+O
18
9
9
2
D+E
9
9
9
1
R
18
9
9

 

CODE DE CODE

C+O D+E D+E C+O D+E

9+9+9+9+9

C+O D+E D+E C+O D+E

CODE DE CODE

10
CODE DE CODE
67
13
4
6
C+O
18
9
9
4
D+E
9
9
9
4
D+E
9
9
9
6
C+O
18
9
9
4
D+E
9
9
9
10
CODE DE CODE
63
36
36
1+0
-
6+3
3+6
3+6
1
CODE DE CODE
9
9
9

 

THE NUMBER RING

RING THE NUMBER

0 1 2 3 4 5 6 7 8 9 1 0

DIVINE MASCULINE DIVINE FEMININE DIVINE FEMINE DIVINE MASCULINE DIVINE

 

T
=
2
-
3
THE
33
15
6
F
=
6
-
5
FAIRY
59
32
5
F
=
6
-
7
FELLERS
77
32
5
M
=
4
-
6
MASTER
76
22
1
S
=
1
-
6
STROKE
88
25
7
-
-
19
-
27
First Total
333
126
27
-
-
1+9
-
2+7
Add to Reduce
3+3+3
1+2+6
2+7
Q
-
10
-
9
Second Total
9
9
9
-
-
1+0
-
-
Reduce to Deduce
-
-
-
Q
-
1
-
9
Essence of Number
9
9
9

 

9
ASCENSION
67
13
4
6
A
1
1
1
4
S+C+E
27
9
9
4
N+S
33
6
6
6
I
9
9
9
4
O+N
29
11
2
9
ASCENSION
99
36
27
-
-
9+9
3+6
2+7
9
ASCENSION
18
9
9
-
-
1+8
-
-
9
ASCENSION
9
9
9

 

SRI KRISHNAS REMEMBERING

BHAGAVAD GITA

"MANY LIVES ARUNJA YOU AND I HAVE LIVED I REMEMBER THEM ALL BUT THOU DOST NOT"

 

4
GODS
45
18
9
6
SPIRIT
91
37
1
4
ISIS
56
20
2
6
OSIRIS
89
35
8
6
VISHNU
93
30
3
5
SHIVA
59
59
5
7
KRISHNA
80
35
8
7
SHRISTI
102
39
3
5
RISHI
63
36
9
4
ISHI
45
27
9
6
CHRIST
77
32
5

 

GODS SPIRIT GODS

ISIS OSIRIS VISHNU SHIVA SHRI KRISHNA SHRISTI RISHI ISHI CHRIST

SING A SONG OF NINES OF NINES A SONG SING

 

THE LIGHT IS RISING NOW RISING IS THE LIGHT

 

T
=
2
-
3
THE
33
15
6
C
=
3
-
8
CHRISTOS
111
39
3
-
=
5
-
11
Add to Reduce
144
54
9
-
=
-
-
1+1
Reduce to Deduce
1+6+2
9+0
-
-
=
5
-
2
Essence of Number
9
9
9

 

SO-C-T-RISH SO SEE THE RISH

 

-
CHRIST
-
-
-
-
C
3
3
3
-
RISH
54
27
9
-
T
20
2
2
6
CHRIST
77
32
14
-
-
7+7
3+2
1+4
6
CHRIST
14
5
5

 

 

SO OSIRIS THAT SON SO SET'S THAT SON!

SO RISES THAT SUN SO SETS THAT SUN!

 

 

 

THE HUMAN 1973

 

 

AFRICAN NIGHTMARE SPECTRE OF FAMINE 1975

 

 

THE SCULPTURE OF VIBRATIONS 1969

 

 

THE JOURNEYMAN 1977

 

 

THE JOURNEYWOMAN 1978

 

GREETINGS

O

NAMUH

 

THE ROOM IN WHICH I WORK THE STARSHIP ITSELF, IS A WOMB WITH A VIEW!

IT RESONATES A BEAUTIFUL CREATIVE HARMONIC. AND IS THE HAPPY MEANS WHEREBY IS GENERATED THE CREATIVE WHEREWITHAL UNFOLDING THE R IN EVOLUTION ,

REVOLUTION.

http://www.973-eht-namuh-973.com/coloured%20site/start/evokation/the_evocation_first.htm#start

http://www.973-eht-namuh-973.com/Alchemy/ADVENT%20950.html

https://expulsia.com/973/Alchemy/ADVENT%20703.htm

https://expulsia.com/973/Alchemy/THE%20ENNEA%20.htm

http://www.973-eht-namuh-973.com/forum

 

THE FORUM AWAITS THY WISDOM

REMEMBER THIS IS NOT HIS SITE THIS IS THE SITE OF THAT THAT THAT U AND ALL ELSE R

UNIVERSAL MIND MATTER MIND UNIVERSAL

THE FORUM AWAITS THY WISDOM

REMEMBER THIS IS NOT HIS SITE THIS IS THE SITE OF THAT THAT THAT U AND ALL ELSE R

UNIVERSAL MIND MATTER MIND UNIVERSAL

THE CIRCLE O SYMBOL OF PERFECTION

CIRCLE = 50 = CIRCLE

THE WORD GOD

GO DO GOOD

GOD GO DO GOOD

 

THE LIGHT IS RISING NOW RISING IS THE LIGHT

 

 

THE BULL OF MINOS

Leonard Cottrell 1953

Chapter VII

Page 90

THE QUEST CONTINUES

"OUT IN THE DARK BLUE SEA THERE LIES A LAND CALLED CRETE, A RICH AND LOVELY LAND,

WASHED BY THE WAVES ON EVERY SIDE, DENSELY PEOPLED AND BOASTING NINETY CITIES. . .

ONE OF THE NINETY TOWNS IS A GREAT CITY CALLED KNOSSOS, AND THERE FOR NINE YEARS,

KING MINOS RULED AND ENJOYED THE FRIENDSHIP OF ALMIGHTY ZEUS

SUN 9 9 SUN

EARTH 7 7 EARTH

MOON 3 3 MOON

JUPITER 99 99 JUPITER

 

 

 

The Prophet

Kahil Gibran 1923

Page 85

" Forget not that I shall come back to you

A

little while, and my longing shall gather dust and foam for another body

A

little while, a moment of rest upon the wind,
and another woman shall bear me"

 

 

11
THE ADVENT
-
-
-
3
THE
33
15
6
6
ADVENT
66
21
3
9
THE ADVENT
99
36
9
-
-
9+9
3+6
-
9
THE ADVENT
9
9
9

 

SUN 9 9 SUN

EARTH 7 7 EARTH

MOON 3 3 MOON

 

 

11
WEATHER
-
-
-
1
W
23
5
5
5
EARTH
52
25
7
1
E
5
5
5
7
WEATHER
80
43
16
11
-
1+6
4+3
1+6
7
WEATHER
7
7
7

 

 

5
HEART
-
-
-
1
E
5
5
5
1
A
1
1
1
1
R
18
9
9
1
H
8
8
8
1
T
20
2
2
5
HEART
52
25
25
11
-
5+2
2+5
2+5
5
HEART
7
7
7

 

 

5
EARTH
-
-
-
1
H
8
8
8
1
E
5
5
5
1
A
1
1
1
1
R
18
9
9
1
T
20
2
2
5
EARTH
52
25
25
11
-
5+2
2+5
2+5
5
EARTH
7
7
7

 

5
EARTH
52
25
25
5
HEART
52
25
25
5
THERA
52
25
25
5
TERAH
52
25
25

 

 

5
EARTH
-
-
-
1
T
20
2
2
1
H
8
8
8
1
E
5
5
5
1
R
18
9
9
1
A
1
1
1
5
THERA
52
25
25
11
-
5+2
2+5
2+5
5
THERA
7
7
7

 

 

Minoan eruption - Wikipedia
https://en.wikipedia.org › wiki › Minoan_eruption

The Minoan eruption was a major catastrophic volcanic eruption that devastated the Aegean island of Thera (now called Santorini) in around 1600 BCE. ... that the Minoan eruption is reflected in Plato's story of Atlantis.
Date: between 1642 and 1540 BCE (see below?)?
Impact: Devastated the Minoan settlements of ...

 

5
EARTH
52
25
25
5
HEART
52
25
25
5
THERA
52
25
25
5
TERAH
52
25
25

 

 

5
EARTH
-
-
-
1
T
20
2
2
1
E
5
5
5
1
R
18
9
9
1
A
1
1
1
1
H
8
8
8
5
TERAH
52
25
25
11
-
5+2
2+5
2+5
5
TERAH
7
7
7

 


Terah or Terach (Hebrew: Tera?) is a biblical figure in the Book of Genesis. He is listed as the son of Nahor and father of the patriarch Abraham. As such, he is a descendant of Shem's son Arpachshad. Terah is mentioned in Genesis 11:26–27, Joshua 24:2, and 1 Chronicles 1:17–27 of the Hebrew Bible and Luke 3:34–36 in the New Terah is mentioned in Genesis 11:26–27, Joshua 24:2, and 1 Chronicles 1:17–27 of the Hebrew Bible and Luke 3:34–36 in the New Testament. Terah is mentioned in Genesis 11:26–32 as a son of Nahor, the son of Serug, descendants of Shem.[1] He is said to have had three sons: Abram (better known by his later name Abraham), Haran, and Nahor II. The family lived in Ur of the Chaldees. One of his grandchildren was Lot, whose father, Haran, had died at Ur.[1]

In the Book of Joshua, in his final speech to the Israelite leaders assembled at Shechem, Joshua recounts the history of God's formation of the Israelite nation, beginning with "Terah the father of Abraham and Nahor, [who] lived beyond the Euphrates River and worshiped other gods."[1] Terah is also mentioned in a biblical genealogy given in 1 Chronicles.

In the Genesis narrative, Terah took his family and left Ur to move to the land of Canaan. Terah set out for Canaan but stopped in the city of Haran along the way, where he died.[2]

 

5
EARTH
52
25
25
5
HEART
52
25
25
5
THERA
52
25
25
5
TERAH
52
25
25

 

 

5
HEART
-
-
-
1
H
8
8
8
1
E
5
5
5
1
A
1
1
1
1
R
18
9
9
1
T
20
2
2
5
HEART
52
25
25
11
-
5+2
2+5
2+5
5
HEART
7
7
7

 

HEART HEA R T

THE ART OF THE HEART

HEART MINUS R THE SUN GOD GIVER OF HEAT

 

5
HEAT
11
11
-
1
H
8
8
8
1
E
5
5
5
1
A
1
1
1
11
R
-
11
-
1
T
20
2
2
5
HEAT
34
16
16
11
-
3+4
1+6
1+6
5
HEAT
7
7
7

 

 

5
HEAT
11
11
-
1
H
8
8
8
1
E
5
5
5
1
A
1
1
1
1
T
20
2
2
5
HEAT
34
16
16
11
-
3+4
1+6
1+6
5
HEAT
7
7
7

 

https://en.wikipedia.org/wiki/Oedipus

Oedipus was a mythical Greek king of Thebes. A tragic hero in Greek mythology, Oedipus accidentally fulfilled a prophecy that he would end up killing his father ...
Oedipus complex · Oedipus Rex · ?Oedipus (Euripides) · Oedipus at Colonus

 

https://en.wikipedia.org/wiki/Oedipus_Rex

Oedipus Rex, also known by its Greek title, Oedipus Tyrannus or Oedipus the King, is an Athenian tragedy by Sophocles that was first performed around 429 BC.

Written by: Sophocles
Series: Theban Plays
Original language: ?Classical Greek
Date premiered?: c. 429 BC

 

Oedipus - Wikipedia
Oedipus definition and meaning | Collins English Dictionary
https://www.collinsdictionary.com/dictionary/english/oedipus

Oedipus definition: the son of Laius and Jocasta , the king and queen of Thebes , who killed his father ,...
Oedipus was the son of Laius and Jocasta, king and queen of Thebes. ... Little Oedipus/Oidipous was named after the swelling from the injuries to his feet and ankles ("swollen foot"). The word "oedema" (British English) or "edema" (American English) is from this same Greek word for swelling: ??d?µa, or oedema.

 

Oedipus complex definition and meaning | Collins English Dictionary https://www.collinsdictionary.com/dictionary/english/oedipus-complex
Oedipus complex definition: If a boy or man has an Oedipus complex , he feels sexual desire for his mother and has... | Meaning, pronunciation, translations and ...

 

https://dictionary.cambridge.org/dictionary/english/oedipus-complex

Oedipus complex definition: in psychology (= the study of the human mind), a child's sexual desire for their parent of the opposite sex, especially that of a boy for ...

 

 

-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
-
-
-
-
8
OEDIPUS
-
-
-
-
-
-
-
-
-
-
-
-
-
O
=
6
-
1
O
15
6
6
-
-
-
-
-
-
6
-
-
-
E
=
5
-
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
D
=
4
-
1
D
4
4
4
-
-
-
-
4
-
-
-
-
-
I
=
9
-
1
I
9
9
9
-
-
-
-
-
-
-
-
-
9
P
=
7
-
1
P
16
7
7
-
-
-
-
-
-
-
7
-
-
U
=
3
-
1
U
21
3
3
-
-
-
3
-
-
-
-
-
-
S
=
1
-
1
S
19
10
1
-
1
-
-
-
-
-
-
-
-
-
-
35
-
8
OEDIPUS
89
44
35
-
1
2
3
9
5
6
9
8
9
-
-
3+5
-
-
8+9
4+4
3+5
-
-
-
-
-
-
-
-
-
-
-
8
-
8
OEDIPUS
17
8
8
-
1
2
3
9
5
6
9
8
9
-
-
-
-
-
-
1+7
-
-
-
-
-
-
-
-
-
-
-
-
-
8
-
8
OEDIPUS
8
8
8
-
1
2
3
9
5
6
9
8
9

 

 

-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
-
-
-
-
8
OEDIPUS
-
-
-
-
-
-
-
-
-
-
-
-
-
S
=
1
-
1
S
19
10
1
-
1
2
-
-
-
-
-
8
-
U
=
3
-
1
U
21
3
3
-
-
2
3
-
-
-
-
8
-
D
=
4
-
1
D
4
4
4
-
-
2
-
4
-
-
-
8
-
E
=
5
-
1
E
5
5
5
-
-
2
-
-
5
-
-
8
-
O
=
6
-
1
O
15
6
6
-
-
2
-
-
-
6
-
8
-
P
=
7
-
1
P
16
7
7
-
-
2
-
-
-
-
7
8
-
I
=
9
-
1
I
9
9
9
-
-
2
-
-
-
-
-
8
9
-
-
35
-
8
OEDIPUS
89
44
35
-
1
2
3
9
5
6
9
8
9
-
-
3+5
-
-
8+9
4+4
3+5
-
-
-
-
-
-
-
-
-
-
-
8
-
8
OEDIPUS
17
8
8
-
1
2
3
9
5
6
9
8
9
-
-
-
-
-
-
1+7
-
-
-
-
-
-
-
-
-
-
-
-
-
8
-
8
OEDIPUS
8
8
8
-
1
2
3
9
5
6
9
8
9

 

 

-
-
-
-
-
-
-
-
-
-
1
3
4
5
6
7
9
-
-
-
-
8
OEDIPUS
-
-
-
-
-
-
-
-
-
-
-
S
=
1
-
1
S
19
10
1
-
1
-
-
-
-
-
-
U
=
3
-
1
U
21
3
3
-
-
3
-
-
-
-
-
D
=
4
-
1
D
4
4
4
-
-
-
4
-
-
-
-
E
=
5
-
1
E
5
5
5
-
-
-
-
5
-
-
-
O
=
6
-
1
O
15
6
6
-
-
-
-
-
6
-
-
P
=
7
-
1
P
16
7
7
-
-
-
-
-
-
7
-
I
=
9
-
1
I
9
9
9
-
-
-
-
-
-
-
9
-
-
35
-
8
OEDIPUS
89
44
35
-
1
3
9
5
6
9
9
-
-
3+5
-
-
8+9
4+4
3+5
-
-
-
-
-
-
-
-
-
8
-
8
OEDIPUS
17
8
8
-
1
3
9
5
6
9
9
-
-
-
-
-
-
1+7
-
-
-
-
-
-
-
-
-
-
-
8
-
8
OEDIPUS
8
8
8
-
1
3
9
5
6
9
9

 

 

 

 

-
-
-
-
-
ORPHEUS
-
-
-
-
1
2
3
4
5
6
7
8
9
O
=
6
1
1
O
15
6
6
-
-
2
-
4
-
6
-
-
-
R
=
9
2
1
R
18
9
9
-
-
2
-
4
-
-
-
-
9
P
=
7
3
1
P
16
7
7
-
-
2
-
4
-
-
7
-
-
H
=
8
4
1
H
8
8
8
-
-
2
-
4
-
-
-
8
-
E
=
5
5
1
E
5
5
5
-
-
2
-
4
5
-
-
-
-
U
=
3
6
1
U
21
3
3
-
-
2
3
4
-
-
-
-
-
S
=
1
7
1
S
19
10
1
-
1
2
-
4
-
-
-
-
-
-
-
39
-
7
ORPHEUS
102
48
39
-
1
2
3
4
5
6
7
8
9
3+9
-
-
-
1+0+2
4+8
3+9
-
-
-
-
-
-
-
-
-
-
-
-
12
-
7
ORPHEUS
3
12
12
-
1
2
3
4
5
6
7
8
9
-
-
1+2
-
-
-
-
1+2
1+2
-
-
-
-
-
-
-
-
-
-
-
-
3
-
7
ORPHEUS
3
3
3
-
1
2
3
4
5
6
7
8
9

 

 

-
-
-
-
-
ORPHEUS
-
-
-
-
1
2
3
4
5
6
7
8
9
S
=
1
7
1
S
19
10
1
-
1
2
-
4
-
-
-
-
-
U
=
3
6
1
U
21
3
3
-
-
2
3
4
-
-
-
-
-
E
=
5
5
1
E
5
5
5
-
-
2
-
4
5
-
-
-
-
O
=
6
1
1
O
15
6
6
-
-
2
-
4
-
6
-
-
-
P
=
7
3
1
P
16
7
7
-
-
2
-
4
-
-
7
-
-
H
=
8
4
1
H
8
8
8
-
-
2
-
4
-
-
-
8
-
R
=
9
2
1
R
18
9
9
-
-
2
-
4
-
-
-
-
9
-
-
39
-
7
ORPHEUS
102
48
39
-
1
2
3
4
5
6
7
8
9
3+9
-
-
-
1+0+2
4+8
3+9
-
-
-
-
-
-
-
-
-
-
-
-
12
-
7
ORPHEUS
3
12
12
-
1
2
3
4
5
6
7
8
9
-
-
1+2
-
-
-
-
1+2
1+2
-
-
-
-
-
-
-
-
-
-
-
-
3
-
7
ORPHEUS
3
3
3
-
1
2
3
4
5
6
7
8
9

 

 

-
-
-
-
-
ORPHEUS
-
-
-
-
1
3
5
6
7
8
9
S
=
1
7
1
S
19
10
1
-
1
-
-
-
-
-
-
U
=
3
6
1
U
21
3
3
-
-
3
-
-
-
-
-
E
=
5
5
1
E
5
5
5
-
-
-
5
-
-
-
-
O
=
6
1
1
O
15
6
6
-
-
-
-
6
-
-
-
P
=
7
3
1
P
16
7
7
-
-
-
-
-
7
-
-
H
=
8
4
1
H
8
8
8
-
-
-
-
-
-
8
-
R
=
9
2
1
R
18
9
9
-
-
-
-
-
-
-
9
-
-
39
-
7
ORPHEUS
102
48
39
-
1
3
5
6
7
8
9
3+9
-
-
-
1+0+2
4+8
3+9
-
-
-
-
-
-
-
-
-
-
12
-
7
ORPHEUS
3
12
12
-
1
3
5
6
7
8
9
-
-
1+2
-
-
-
-
1+2
1+2
-
-
-
-
-
-
-
-
-
-
3
-
7
ORPHEUS
3
3
3
-
1
3
5
6
7
8
9

 

 

Orpheus - Wikipedia
https://en.wikipedia.org/wiki/Orpheus

Mythology - Orpheus is a legendary musician, poet, and prophet in ancient Greek religion and myth. The major stories about him are centered on ...
?Eurydice · Orphism (religion) ·Orpheus and Eurydice · Orpheus Monument

Orpheus

From Wikipedia, the free encyclopedia

Orpheus

DSC00355 - Orfeo (epoca romana) - Foto G. Dall'Orto.jpg
Roman mosaic depicting Orpheus, wearing a Phrygian cap and surrounded by the beasts charmed by the music of his lyre

Abode
Pimpleia, Pieria

Symbol
Lyre

Personal Information

Born
Pimpleia, Pieria

Died
Pangaion Hills, Macedonia, Greece

Spouse
Eurydice

Children
Musaeus

Parents
Oeagrus or Apollo and Calliope

Siblings
The Graces, Linus

Orpheus (/'??rfi?s, '??rfju?s/; Greek: ??fe??) is a legendary musician, poet, and prophet in ancient Greek religion and myth. The major stories about him are centered on his ability to charm all living things and even stones with his music, his attempt to retrieve his wife, Eurydice, from the underworld, and his death at the hands of those who could not hear his divine music. As an archetype of the inspired singer, Orpheus is one of the most significant figures in the reception of classical mythology in Western culture, portrayed or alluded to in countless forms of art and popular culture including poetry, film, opera, music, and painting.[1]

Orpheus was born as a son of the Muse Kalliope and the Thracian king Oeagrus in a cave between Pimpleia and Leivithra.[2]

For the Greeks, Orpheus was a founder and prophet of the so-called "Orphic" mysteries. He was credited with the composition of the Orphic Hymns, a collection of which only two have survived.[3] Shrines containing purported relics of Orpheus were regarded as oracles. Some ancient Greek sources note Orpheus' Thracian origins.[4]

Orpheus (left, with lyre) among the Thracians, from an Attic red-figure bell-krater (c. 440 BC)[5]
The earliest literary reference to Orpheus is a two-word fragment of the sixth-century BC lyric poet Ibycus: onomaklyton Orphen ("Orpheus famous-of-name"). He is not mentioned in Homer or Hesiod.[6] Most ancient sources accept his historical existence; Aristotle is an exception.[7][8]

Pindar calls Orpheus "the father of songs"[9] and identifies him as a son of the Thracian king Oeagrus[10] and the Muse Calliope.[11]

Greeks of the Classical age venerated Orpheus as the greatest of all poets and musicians; it was said that while Hermes had invented the lyre, Orpheus had perfected it. Poets such as Simonides of Ceos said that Orpheus' music and singing could charm the birds, fish and wild beasts, coax the trees and rocks into dance,[12] and divert the course of rivers. Orpheus was one of the handful of Greek heroes[13] to visit the Underworld and return; his music and song even had power over Hades.

Some sources credit Orpheus with further gifts to mankind: medicine, which is more usually under the aegis of Aesculapius or Apollo; writing,[14] which is usually credited to Cadmus; and agriculture, where Orpheus assumes the Eleusinian role of Triptolemus as giver of Demeter's knowledge to mankind. Orpheus was an augur and seer; he practiced magical arts and astrology, founded cults to Apollo and Dionysus[15] and prescribed the mystery rites preserved in Orphic texts. Pindar and Apollonius of Rhodes[16] place Orpheus as the harpist and companion of Jason and the Argonauts. Orpheus had a brother named Linus, who went to Thebes and became a Theban.[17] He is claimed by Aristophanes and Horace to have taught cannibals to subsist on fruit, and to have made lions and tigers obedient to him. Horace believed, however, that Orpheus had only introduced order and civilization to savages.[18]

Bertrand Russell noted:[19]

The Orphics were an ascetic sect; wine, to them, was only a symbol, as, later, in the Christian sacrament. The intoxication that they sought was that of "enthusiasm," of union with the god. They believed themselves, in this way, to acquire mystic knowledge not obtainable by ordinary means. This mystical element entered into Greek philosophy with Pythagoras, who was a reformer of Orphism as Orpheus was a reformer of the religion of Dionysus. From Pythagoras Orphic elements entered into the philosophy of Plato, and from Plato into most later philosophy that was in any degree religious.

Strabo[20] (64 BC – c. AD 24) presents Orpheus as a mortal, who lived and died in a village close to Olympus. "Some, of course, received him willingly, but others, since they suspected a plot and violence, combined against him and killed him." He made money as a musician and "wizard" – Strabo uses agurteúonta (a???te???ta),[21] also used by Sophocles in Oedipus Tyrannus to characterize Teiresias as a trickster with an excessive desire for possessions. Agúrtes (a???t??) most often meant charlatan[22] and always had a negative connotation. Pausanias writes of an unnamed Egyptian who considered Orpheus a mágeuse (µ??e?se), i.e., magician.[23][non-primary source needed]

Mythology[edit]

Important sites in the life and travels of Orpheus
Early life[edit]

According to Apollodorus[24] and a fragment of Pindar,[25] Orpheus' father was Oeagrus, a Thracian king; or, according to another version of the story, the god Apollo. His mother was the muse Calliope; or, a daughter of Pierus,[26] son of Makednos. His birthplace and place of residence was in Pimpleia,[27][28][29] Olympus. In Argonautica the location of Oeagrus and Calliope's wedding is close to Pimpleia,[30] near Olympus.[29][31] While living with his mother and her eight beautiful sisters in Parnassus,[32] he met Apollo, who was courting the laughing muse Thalia. Apollo, as the god of music, gave Orpheus a golden lyre and taught him to play it. Orpheus' mother taught him to make verses for singing. Strabo mentions that he lived in Pimpleia.[29] He is also said to have studied in Egypt.[33]

According to Diodorus Siculus, Musaeus of Athens was the son of Orpheus.[34]

Orpheus is said to have established the worship of Hecate in Aegina.[35] In Laconia Orpheus is said to have brought the worship of Demeter Chthonia[36] and that of the Kores Soteiras (Greek,???e? S?te??a?) savior maid.[clarification needed][37] Also in Taygetus a wooden image of Orpheus was said to have been kept by Pelasgians in the sanctuary of the Eleusinian Demeter.[38]

Travelling as an Argonaut[edit]

Main article: Argonautica

The Argonautica (Greek: ?????a?t???) is a Greek epic poem written by Apollonius Rhodius in the 3rd century BC. Orpheus took part in this adventure and used his skills to aid his companions. Chiron told Jason that without the aid of Orpheus, the Argonauts would never be able to pass the Sirens—the same Sirens encountered by Odysseus in Homer's epic poem the Odyssey. The Sirens lived on three small, rocky islands called Sirenum scopuli and sang beautiful songs that enticed sailors to come to them, which resulted in the crashing of their ships into the islands. When Orpheus heard their voices, he drew his lyre and played music that was louder and more beautiful, drowning out the Sirens' bewitching songs. According to 3rd century BC Hellenistic elegiac poet Phanocles, Orpheus loved the young Argonaut Calais, "the son of Boreas, with all his heart, and went often in shaded groves still singing of his desire, nor was his heart at rest. But always, sleepless cares wasted his spirits as he looked at fresh Calais."[39][40]

Death of Eurydice[edit]

Orpheus with the lyre and surrounded by beasts (Byzantine & Christian Museum, Athens)
See also: Descent to the underworld

The most famous story in which Orpheus figures is that of his wife Eurydice (sometimes referred to as Euridice and also known as Argiope). While walking among her people, the Cicones, in tall grass at her wedding, Eurydice was set upon by a satyr. In her efforts to escape the satyr, Eurydice fell into a nest of vipers and suffered a fatal bite on her heel. Her body was discovered by Orpheus who, overcome with grief, played such sad and mournful songs that all the nymphs and gods wept. On their advice, Orpheus travelled to the underworld. His music softened the hearts of Hades and Persephone, who agreed to allow Eurydice to return with him to earth on one condition: he should walk in front of her and not look back until they both had reached the upper world. He set off with Eurydice following, and, in his anxiety, as soon as he reached the upper world, he turned to look at her, forgetting that both needed to be in the upper world, and she vanished for the second time, but now forever.

The story in this form belongs to the time of Virgil, who first introduces the name of Aristaeus (by the time of Virgil's Georgics, the myth has Aristaeus chasing Eurydice when she was bitten by a serpent) and the tragic outcome.[41] Other ancient writers, however, speak of Orpheus' visit to the underworld in a more negative light; according to Phaedrus in Plato's Symposium,[42] the infernal gods only "presented an apparition" of Eurydice to him. In fact, Plato's representation of Orpheus is that of a coward, as instead of choosing to die in order to be with the one he loved, he instead mocked the gods by trying to go to Hades to bring her back alive. Since his love was not "true"—he did not want to die for love—he was actually punished by the gods, first by giving him only the apparition of his former wife in the underworld, and then by being killed by women. Ovid says that Eurydice's death was not caused by fleeing from Aristaeus but by dancing with naiads on her wedding day.

Virgil wrote in his poem that Dryads wept from Epirus and Hebrus up to the land of the Getae (north east Danube valley) and even describes him wandering into Hyperborea and Tanais (ancient Greek city in the Don river delta)[43] due to his grief.

The story of Eurydice may actually be a late addition to the Orpheus myths. In particular, the name Eurudike ("she whose justice extends widely") recalls cult-titles attached to Persephone. According to the theories of poet Robert Graves, the myth may have been derived from another Orpheus legend, in which he travels to Tartarus and charms the goddess Hecate.[44]

The myth theme of not looking back, an essential precaution in Jason's raising of chthonic Brimo Hekate under Medea's guidance,[45] is reflected in the Biblical story of Lot's wife when escaping from Sodom. More directly, the story of Orpheus is similar to the ancient Greek tales of Persephone captured by Hades and similar stories of Adonis captive in the underworld. However, the developed form of the Orpheus myth was entwined with the Orphic mystery cults and, later in Rome, with the development of Mithraism and the cult of Sol Invictus.

Thracian Girl Carrying the Head of Orpheus on His Lyre by Gustave Moreau (1865)
Death[edit]

According to a Late Antique summary of Aeschylus' lost play Bassarids, Orpheus, towards the end of his life, disdained the worship of all gods except the sun, whom he called Apollo. One early morning he went to the oracle of Dionysus at Mount Pangaion[46] to salute his god at dawn, but was ripped to shreds by Thracian Maenads for not honoring his previous patron (Dionysus) and buried in Pieria.[15][47] Here his death is analogous with that of Pentheus, who was also torn to pieces by Maenads; and it has been speculated that the Orphic mystery cult regarded Orpheus as a parallel figure to or even an incarnation of Dionysus.[48] Both made similar journeys into Hades, and Dionysus Zagreus suffered an identical death.[49] Pausanias writes that Orpheus was buried in Dion and that he met his death there.[50] He writes that the river Helicon sank underground when the women that killed Orpheus tried to wash off their blood-stained hands in its waters.[51]

Ovid recounts that Orpheus .. had abstained from the love of women, either because things ended badly for him, or because he had sworn to do so. Yet, many felt a desire to be joined with the poet, and many grieved at rejection. Indeed, he was the first of the Thracian people to transfer his affection to young boys and enjoy their brief springtime, and early flowering this side of manhood.

—?Ovid. trans. A. S. Kline, Ovid: The Metamorphoses, Book X

Feeling spurned by Orpheus for taking only male lovers, the Ciconian women, followers of Dionysus,[52] first threw sticks and stones at him as he played, but his music was so beautiful even the rocks and branches refused to hit him. Enraged, the women tore him to pieces during the frenzy of their Bacchic orgies.[53] In Albrecht Dürer's drawing of Orpheus' death, based on an original, now lost, by Andrea Mantegna, a ribbon high in the tree above him is lettered Orfeus der erst puseran ("Orpheus, the first pederast").[54]

Death of Orpheus, by Dürer (1494)

His head and lyre, still singing mournful songs, floated down the swift Hebrus to the Mediterranean shore. There, the winds and waves carried them on to the Lesbos shore,[55] where the inhabitants buried his head and a shrine was built in his honour near Antissa;[56] there his oracle prophesied, until it was silenced by Apollo.[57] In addition to the people of Lesbos, Greeks from Ionia and Aetolia consulted the oracle, and his reputation spread as far as Babylon.[58]

Cave of Orpheus' oracle in Antissa, Lesbos

The lyre was carried to heaven by the Muses, and was placed among the stars. The Muses also gathered up the fragments of his body and buried them at Leibethra[59] below Mount Olympus, where the nightingales sang over his grave. After the river Sys flooded[60] Leibethra, the Macedonians took his bones to Dion. Orpheus' soul returned to the underworld where he was reunited at last with his beloved Eurydice.

Another legend places his tomb at Dion,[46] near Pydna in Macedon. In another version of the myth, Orpheus travels to Aornum in Thesprotia, Epirus to an old oracle for the dead. In the end Orpheus commits suicide from his grief unable to find Eurydice.[61]

Another account relates that he was struck with lightning by Zeus for having lied about the stories and the mysteries of the gods.

Orphic poems and rites[edit]

Nymphs Finding the Head of Orpheus by John William Waterhouse
Main article: Orphism (religion)

A number of Greek religious poems in hexameters were attributed to Orpheus, as they were to similar miracle-working figures, like Bakis, Musaeus, Abaris, Aristeas, Epimenides, and the Sibyl. Of this vast literature, only two examples survived whole: a set of hymns composed at some point in the second or third century, and an Orphic Argonautica composed somewhere between the fourth and sixth centuries. Earlier Orphic literature, which may date back as far as the sixth century BC, survives only in papyrus fragments or in quotations. Some of the earliest fragments may have been composed by Onomacritus.[62]

Nymphs Listening to the Songs of Orpheus, 1853 by Charles Jalabert
In addition to serving as a storehouse of mythological data along the lines of Hesiod's Theogony, Orphic poetry was recited in mystery-rites and purification rituals. Plato in particular tells of a class of vagrant beggar-priests who would go about offering purifications to the rich, a clatter of books by Orpheus and Musaeus in tow.[63] Those who were especially devoted to these rituals and poems often practiced vegetarianism and abstention from sex, and refrained from eating eggs and beans — which came to be known as the Orphikos bios, or "Orphic way of life".[64]

The Derveni papyrus, found in Derveni, Macedonia (Greece) in 1962, contains a philosophical treatise that is an allegorical commentary on an Orphic poem in hexameters, a theogony concerning the birth of the gods, produced in the circle of the philosopher Anaxagoras, written in the second half of the fifth century BC. Fragments of the poem are quoted making it "the most important new piece of evidence about Greek philosophy and religion to come to light since the Renaissance".[65] The papyrus dates to around 340 BC, during the reign of Philip II of Macedon, making it Europe's oldest surviving manuscript.

The historian William Mitford wrote in 1784 that the very earliest form of a higher and cohesive ancient Greek religion was manifest in the Orphic poems.[66]

W. K. C. Guthrie wrote that Orpheus was the founder of mystery religions and the first to reveal to men the meanings of the initiation rites.[67

 

 

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MORPHEUS
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MORPHEUS
115
52
43
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MORPHEUS
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MORPHEUS
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MORPHEUS - Greek God or Spirit of the Dreams of Kings
www.theoi.com › Greek Gods

In Greek mythology Morpheus was the leader of the Oneiroi, the personified spirits (daimones) of dreams. He was a messenger of the gods who appeared in the ...

MORPHEUS was the leader of the Oneiroi, the personified spirits (daimones) of dreams. He was a messenger of the gods who appeared in the dreams of kings in human guise.
Morpheus was probably equated with the unnamed dream-spirit sent by Zeus to deliver a message to King Agamemnon in the Iliad (see the Oneiroi page)

FAMILY OF MORPHEUS

PARENTS

HYPNOS (Ovid Metamorphoses 11.592)

ENCYCLOPEDIA

MORPHEUS (Morpheus), the son of Sleep, and the god of dreams. The name signifies the fashioner or moulder, because he shaped or formed the dreams which appeared to the sleeper. (Ov. Met. xi. 635.)
Source: Dictionary of Greek and Roman Biography and Mythology.

CLASSICAL LITERATURE QUOTES
Ovid, Metamorphoses 11. 585 ff (trans. Melville) (Roman epic C1st B.C. to C1st A.D.) :

"[Hera commands the messenger Iris summon Dream :] ‘Iris (Rainbow), my voice's trustiest messenger, hie quickly to the drowsy hall of Somnus (Sleep) [Hypnos], and bid him send a Dream of Ceyx drowned to break the tidings to [his wife] Alcyone.'
Then Iris, in her thousand hues enrobed traced through the sky her arching bow and reached the cloud-hid palace of the drowsy king [the God of Sleep] . . . Around him everywhere in various guise lie empty Somnia (Dreams) [Oneiroi], countless as ears of corn at harvest time or sands cast on the shore or leaves that fall upon the forest floor.
There Iris entered, brushing the Somnia (Dreams) aside, and the bright sudden radiance of her robe lit up the hallowed place; slowly the god his heavy eyelids raised, and sinking back time after time, his languid drooping head nodding upon his chest, at last he shook himself out of himself, and leaning up he recognized her and asked why she came, and she replied : ‘Somnus (Sleep) [Hypnos], quietest of the gods, Somnus, peace of all the world, balm of the soul, who drives care away, who gives ease to weary limbs after the hard day's toil and strength renewed to meet the morrow's tasks, bid now thy Dreams, whose perfect mimicry matches the truth, in Ceyx's likeness formed appear in Trachis to Alcyone and feign the shipwreck and her dear love drowned. So Juno [Hera] orders.’
Then, her task performed, Iris departed, for she could no more endure the power of Somnus, as drowsiness stole seeping through her frame, and fled away back o'er the arching rainbow as she came. The father Somnus (Sleep) chose from among his sons, his thronging thousand sons, one who in skill excelled to imitate the human form; Morpheus his name, than whom none can present more cunningly the features, gait and speech of men, their wonted clothes and turn of phrase. He mirrors only men; another forms the beasts and birds and the long sliding snakes. The gods have named him Icelos; here below the tribe of mortals call him Phobetor. A third, excelling in an art diverse, is Phantasos; he wears the cheating shapes of earth, rocks, water, trees--inanimate things. To kings and chieftains these at night display their phantom features; other dreams will roam among the people, haunting common folk. All these dream-brothers the old god passed by and chose Morpheus alone to undertake Thaumantias' [Iris'] commands; then in sweet drowsiness on his high couch he sank his head to sleep.
Soon through the dewy dark on noiseless wings flew Morpheus and with brief delay arrived at Trachis town and, laying his wings aside, took Ceyx's [ghostly] form and face and, deathly pale and naked, stood beside the poor wife's bed. His beard was wet and from his sodden hair the sea-drips flowed; then leaning over her, weeping, he said : ‘Poor, poor Alcyone! Do you know me, your Ceyx? Am I changed in death? Look! Now you see, you recognize--ah! Not your husband but your husband's ghost. Your prayers availed me nothing. I am dead. Feed not your heart with hope, hope false and vain. A wild sou'wester in the Aegaeum sea, striking my ship, in its huge hurricane destroyed her. Over my lips, calling your name--calling in vain--the waters washed. These tidings no dubious courier brings, no vague report: myself, here, shipwrecked, my own fate reveal. Come, rise and weep! Put on your mourning! Weep! Nor unlamented suffer me to join the shadowy spirits of Tartara (the Underworld).’
So Morpheus spoke, spoke too in such a voice as she must think her husband's (and his tears she took for true), and used her Ceyx' gestures. Asleep, she moaned and wept and stretched her arms to hold him, but embraced the empty air. ‘Oh wait for me!’ she cried, ‘Why haste away? I will come too.’
Roused by her voice's sound and by her husband's ghost, now wide awake, she looked . . . but found him nowhere . . . She cried, ‘. . . He is dead, shipwrecked and drowned. I saw him, knew him, tried to hold him--as he vanished--in my arms. He was a ghost, but yet distinct and clear, truly my husband's ghost, though to be sure his face was changed, his shining grace was gone. Naked and deathly pale, with dripping hair, I saw him--woe is me!’"
[N.B. Ovid uses the original Greek names for the three gods of dreams.]

 

 

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MORPHEUS
115
52
43
-
1
2
3
4
5
6
7
8
9
4+3
-
-
-
1+1+5
5+2
4+3
-
-
-
-
-
-
-
-
-
-
-
-
7
-
8
MORPHEUS
7
7
7
-
1
2
3
4
5
6
7
8
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
7
-
8
MORPHEUS
7
7
7
-
1
2
3
4
5
6
7
8
9

 

 

-
-
  
-
-
ORPHEUS
-
-
-
-
1
2
3
4
5
6
7
8
9
O
=
6
1
1
O
15
6
6
-
-
2
-
4
-
6
-
-
-
R
=
9
2
1
R
18
9
9
-
-
2
-
4
-
-
-
-
9
P
=
7
3
1
P
16
7
7
-
-
2
-
4
-
-
7
-
-
H
=
8
4
1
H
8
8
8
-
-
2
-
4
-
-
-
8
-
E
=
5
5
1
E
5
5
5
-
-
2
-
4
5
-
-
-
-
U
=
3
6
1
U
21
3
3
-
-
2
3
4
-
-
-
-
-
S
=
1
7
1
S
19
10
1
-
1
2
-
4
-
-
-
-
-
-
-
39
-
7
ORPHEUS
102
48
39
-
1
2
3
4
5
6
7
8
9
3+9
-
-
-
1+0+2
4+8
3+9
-
-
-
-
-
-
-
-
-
-
-
-
12
-
7
ORPHEUS
3
12
12
-
1
2
3
4
5
6
7
8
9
-
-
1+2
-
-
-
-
1+2
1+2
-
-
-
-
-
-
-
-
-
-
-
-
3
-
7
ORPHEUS
3
3
3
-
1
2
3
4
5
6
7
8
9

 

 

-
-
  
-
-
ORPHEUS
-
-
-
-
1
2
3
4
5
6
7
8
9
O
=
6
1
1
O
15
6
6
-
-
2
-
-
-
6
-
-
-
R
=
9
2
1
R
18
9
9
-
-
2
-
-
-
-
-
-
9
P
=
7
3
1
P
16
7
7
-
-
2
-
-
-
-
7
-
-
H
=
8
4
1
H
8
8
8
-
-
2
-
-
-
-
-
8
-
E
=
5
5
1
E
5
5
5
-
-
2
-
-
5
-
-
-
-
U
=
3
6
1
U
21
3
3
-
-
2
3
-
-
-
-
-
-
S
=
1
7
1
S
19
10
1
-
1
2
-
-
-
-
-
-
-
39
-
7
-
102
48
39
-
-
-
-
-
-
-
-
-
-
 
-
-
-
-
MORPHEUS
-
-
-
-
-
-
-
-
-
-
-
-
-
M
=
4
1
1
M
13
4
4
-
-
2
-
4
-
-
-
-
-
O
=
6
2
1
O
15
6
6
-
-
2
-
-
-
6
-
-
-
R
=
9
3
1
R
18
9
9
-
-
2
-
-
-
-
-
-
9
P
=
7
4
1
P
16
7
7
-
-
2
-
-
-
-
7
-
-
H
=
8
5
1
H
8
8
8
-
-
2
-
-
-
-
-
8
-
E
=
5
6
1
E
5
5
5
-
-
2
-
-
5
-
-
-
-
U
=
3
7
1
U
21
3
3
-
-
2
3
-
-
-
-
-
-
S
=
1
8
1
S
19
10
1
-
1
2
-
-
-
-
-
-
-
43
-
8
MORPHEUS
115
52
43
-
-
-
-
-
-
-
-
-
-
-
-
82
-
15
First Total
217
100
82
-
2
2
6
4
10
12
14
16
18
8+2
-
1+5
Add to Reduce
2+1+7
1+0+0
8+2
-
-
-
-
-
1+0
1+2
1+4
1+6
1+8
-
-
10
-
6
Second Total
10
1
10
-
2
2
6
4
1
3
5
7
9
-
-
1+0
-
-
Reduce to Deduce
1+0
-
1+0
-
-
-
-
-
-
-
-
-
-
-
-
1
-
6
Essence of Number
1
1
1
-
2
2
6
4
1
3
5
7
9

 

 

-
-
  
-
-
ORPHEUS
-
-
-
-
1
2
3
4
5
6
7
8
9
O
=
6
1
1
O
15
6
6
-
-
2
-
-
-
6
-
-
-
R
=
9
2
1
R
18
9
9
-
-
2
-
-
-
-
-
-
9
P
=
7
3
1
P
16
7
7
-
-
2
-
-
-
-
7
-
-
H
=
8
4
1
H
8
8
8
-
-
2
-
-
-
-
-
8
-
E
=
5
5
1
E
5
5
5
-
-
2
-
-
5
-
-
-
-
U
=
3
6
1
U
21
3
3
-
-
2
3
-
-
-
-
-
-
S
=
1
7
1
S
19
10
1
-
1
2
-
-
-
-
-
-
-
M
=
4
8
1
M
13
4
4
-
-
2
-
4
-
-
-
-
-
O
=
6
9
1
O
15
6
6
-
-
2
-
-
-
6
-
-
-
R
=
9
10
1
R
18
9
9
-
-
2
-
-
-
-
-
-
9
P
=
7
11
1
P
16
7
7
-
-
2
-
-
-
-
7
-
-
H
=
8
12
1
H
8
8
8
-
-
2
-
-
-
-
-
8
-
E
=
5
13
1
E
5
5
5
-
-
2
-
-
5
-
-
-
-
U
=
3
14
1
U
21
3
3
-
-
2
3
-
-
-
-
-
-
S
=
1
15
1
S
19
10
1
-
1
2
-
-
-
-
-
-
-
43
-
8
MORPHEUS
115
52
43
-
-
-
-
-
-
-
-
-
-
-
-
82
-
15
First Total
217
100
82
-
2
2
6
4
10
12
14
16
18
8+2
-
1+5
Add to Reduce
2+1+7
1+0+0
8+2
-
-
-
-
-
1+0
1+2
1+4
1+6
1+8
-
-
10
-
6
Second Total
10
1
10
-
2
2
6
4
1
3
5
7
9
-
-
1+0
-
-
Reduce to Deduce
1+0
-
1+0
-
-
-
-
-
-
-
-
-
-
-
-
1
-
6
Essence of Number
1
1
1
-
2
2
6
4
1
3
5
7
9

 

 

-
-
-
-
-
ORPHEUS
-
-
-
-
1
2
3
4
5
6
7
8
9
S
=
1
7
1
S
19
10
1
-
1
2
-
-
-
-
-
-
-
S
=
1
15
1
S
19
10
1
-
1
2
-
-
-
-
-
-
-
U
=
3
6
1
U
21
3
3
-
-
2
3
-
-
-
-
-
-
U
=
3
14
1
U
21
3
3
-
-
2
3
-
-
-
-
-
-
M
=
4
8
1
M
13
4
4
-
-
2
-
4
-
-
-
-
-
E
=
5
5
1
E
5
5
5
-
-
2
-
-
5
-
-
-
-
E
=
5
13
1
E
5
5
5
-
-
2
-
-
5
-
-
-
-
O
=
6
1
1
O
15
6
6
-
-
2
-
-
-
6
-
-
-
O
=
6
9
1
O
15
6
6
-
-
2
-
-
-
6
-
-
-
P
=
7
3
1
P
16
7
7
-
-
2
-
-
-
-
7
-
-
P
=
7
11
1
P
16
7
7
-
-
2
-
-
-
-
7
-
-
H
=
8
4
1
H
8
8
8
-
-
2
-
-
-
-
-
8
-
H
=
8
12
1
H
8
8
8
-
-
2
-
-
-
-
-
8
-
R
=
9
2
1
R
18
9
9
-
-
2
-
-
-
-
-
-
9
R
=
9
10
1
R
18
9
9
-
-
2
-
-
-
-
-
-
9
43
-
8
MORPHEUS
115
52
43
-
-
-
-
-
-
-
-
-
-
-
-
82
-
15
First Total
217
100
82
-
2
2
6
4
10
12
14
16
18
8+2
-
1+5
Add to Reduce
2+1+7
1+0+0
8+2
-
-
-
-
-
1+0
1+2
1+4
1+6
1+8
-
-
10
-
6
Second Total
10
1
10
-
2
2
6
4
1
3
5
7
9
-
-
1+0
-
-
Reduce to Deduce
1+0
-
1+0
-
-
-
-
-
-
-
-
-
-
-
-
1
-
6
Essence of Number
1
1
1
-
2
2
6
4
1
3
5
7
9

 

 

-
-
-
-
-
ORPHEUS
-
-
-
-
1
2
3
4
5
6
7
8
9
-
-
S
=
1
7
1
S
19
10
1
-
1
2
-
-
-
-
-
-
-
-
-
S
=
1
15
1
S
19
10
1
-
1
2
-
-
-
-
-
-
-
-
2
U
=
3
6
1
U
21
3
3
-
-
2
3
-
-
-
-
-
-
-
-
U
=
3
14
1
U
21
3
3
-
-
2
3
-
-
-
-
-
-
-
2
M
=
4
8
1
M
13
4
4
-
-
2
-
4
-
-
-
-
-
-
1
E
=
5
5
1
E
5
5
5
-
-
2
-
-
5
-
-
-
-
-
-
E
=
5
13
1
E
5
5
5
-
-
2
-
-
5
-
-
-
-
-
2
O
=
6
1
1
O
15
6
6
-
-
2
-
-
-
6
-
-
-
-
-
O
=
6
9
1
O
15
6
6
-
-
2
-
-
-
6
-
-
-
-
2
P
=
7
3
1
P
16
7
7
-
-
2
-
-
-
-
7
-
-
-
-
P
=
7
11
1
P
16
7
7
-
-
2
-
-
-
-
7
-
-
-
2
H
=
8
4
1
H
8
8
8
-
-
2
-
-
-
-
-
8
-
-
-
H
=
8
12
1
H
8
8
8
-
-
2
-
-
-
-
-
8
-
-
2
R
=
9
2
1
R
18
9
9
-
-
2
-
-
-
-
-
-
9
-
-
R
=
9
10
1
R
18
9
9
-
-
2
-
-
-
-
-
-
9
-
2
43
-
8
MORPHEUS
115
52
43
-
-
-
-
-
-
-
-
-
-
-
-
-
-
82
-
15
First Total
217
100
82
-
2
2
6
4
10
12
14
16
18
-
-
8+2
-
1+5
Add to Reduce
2+1+7
1+0+0
8+2
-
-
-
-
-
1+0
1+2
1+4
1+6
1+8
-
-
-
-
10
-
6
Second Total
10
1
10
-
2
2
6
4
1
3
5
7
9
-
-
-
-
1+0
-
-
Reduce to Deduce
1+0
-
1+0
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
-
6
Essence of Number
1
1
1
-
2
2
6
4
1
3
5
7
9
-
-

 

 

10
SON OF WOMAN
-
-
-
3
SON
48
21
3
2
OF
21
12
3
5
WOMAN
66
21
3
10
SON OF WOMAN
135
54
9
1+0
-
1+3+5
5+4
-
1
SON OF WOMAN
9
9
9

 

BLESSED BE THE FRUIT OF THAT WOMBS FOETUS

 

8
SON OF MAN
-
-
-
3
SON
48
21
3
2
OF
21
12
3
3
MAN
28
10
1
8
SON OF MAN
97
43
7
-
-
9+7
4+3
-
8
SON OF MAN
16
7
7
-
-
1+6
-
-
8
SON OF MAN
7
7
7

 

 

11
THIRTYTHREE
-
-
-
6
THIRTY
100
37
1
5
THREE
56
29
2
11
THIRTYTHREE
156
66
3
-
-
1+5+6
6+6
-
11
THIRTYTHREE
12
12
3
-
-
1+2
1+2
-
11
THIRTYTHREE
3
3
3

 

I AM THE OPPOSITE OF THE OPPOSITE I AM THE OPPOSITE OF OPPOSITE IS THE AM I

I

ALWAYS

AM

 

114
NINENINETYNINE
171
81
9
-
-
-
-
-
-
-
-
-
-
4
NINE
42
24
6
4
NINE
42
24
6
4
NINE
42
24
6
4
NINE
42
24
6
4
NINE
42
24
6
4
NINE
42
24
6
4
NINE
42
24
6
4
NINE
42
24
6
4
NINE
42
24
6
36
First Total
378
216
54
3+6
Add to Reduce
3+7+8
2+1+6
5+4
9
Second Total
18
9
9
-
Reduce tio Deduce
1+8
-
-
9
Essence of Number
9
9
9

 

 

11
THE STAR GATE
-
-
-
3
THE
33
15
6
4
STAR
58
13
4
4
GATE
33
15
6
11
THE STAR GATE
124
43
16
1+1
-
1+2+4
4+3
1+6
2
THE STAR GATE
7
7
7

 

 

15
THE RAINBOW LIGHT
-
-
-
3
THE
33
15
6
7
RAINBOW
82
37
1
5
LIGHT
56
29
2
15
THE RAINBOW LIGHT
171
81
9
1+5
-
1+7+1
8+1
-
6
THE RAINBOW LIGHT
9
9
3

 

GREETINGS

CHILD

OF

THE

RAINBOW

 

6
ENTERS
81
36
9
3
THE
33
15
6
6
GOLDEN
57
30
3
5
CHILD
36
27
9
20
-
207
108
27
2+0
-
2+0+7
1+0+8
2+7
2
-
9
9
3

 

 

THE

HOURS OF HORUS

THAT I OF THAT I OF THAT I THAT

I

AM

SALUTES

THE

ALMIGHTY

THAT

IS

THEE

PEACE BE UNTO YOU

GOODWILL UNTO ALL SENTIENT BEINGS

 
 
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